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Charles Coleman Papers, 1929-1991

Finding aid prepared by Allison Bohm.

Summary Information

Repository
Indiana University, Archives of African American Music and Culture (AAAMC)
Smith Research Center, Rooms 180-181
2805 E. 10th St.
Bloomington, IN 47408-2601
Phone: 812-855-8547
Fax: 812-856-0333
Email: aaamc@indiana.edu
http://www.indiana.edu/~aaamc

Creator
Coleman, Charles

Title
Charles Coleman Papers, 1929-1991

Collection No.
SC 9

Extent
.25 linear ft. (1 document case)

Language
Materials are in English.

Abstract
This collection consists of printed and manuscript scores of music by Charles Coleman, including sacred and secular choral works, as well as ephemeral materials related to the composer.

Access Restrictions

This collection is open for research. Advance notice of your visit is highly recommended to ensure that requested materials will be ready for use upon your arrival. Contact the AAAMC staff for more details.

Biographical Note

Charles DeWitt Coleman, Jr. was born in Detroit, Michigan on January 29, 1929. He was the founder and director of the Coleman Studio of Music, later known as the Northwestern School of Music, and a member of the Artists Bureau of the National Assocation of Negro Musicians. Coleman was a pupil of Robert Nolan at the Robert Nolan School of Music, August Maekelberghe, Robert Cato, and Virgil Fox, and received his Bachelor of Music degree from Wayne State University in 1954. He later studied with reknowned organist and composer Marcel Dupre from Paris, France and European piano pedagogy and organ with Lode Van Dessel of the Palestrina Institute. He conducted at many schools in the Detroit Public School System, as well as various church ensembles of various ages and faiths, and was awarded the degree A.A.G.O. by the American Guild of Organists in 1955.

Arrangement

Series 1: Manuscript Scores

Series 2: Printed Scores

Series 3: Ephemera

Scope and Content Note

The bulk of the collection is made up of manuscript scores of works by Coleman, as well as printed scores of some of his music. Materials are individually sleeved in clear plastic with title printed on label. Works are arranged alphabetically within series.

Administrative Information

Acquisition Information
Donated by Ronald F. Coleman in 1998.
Usage Restrictions
All requests for copying and publishing materials must be submitted in writing to the Archives of African American Music and Culture. Some publication requests may also require the written permission of the interviewer, interviewees, and/or performers.
Preferred Citation
Coleman, Charles, 1929-1991, SC 9, Archives of African American Music and Culture, Indiana University, Bloomington.
Processing Information
Processed by Allison Bohm.

Completed in 2015.

Collection Inventory


Series: 1. Manuscript Scores,1944-1963. 

23 works, 24 manuscript scores.


Box 1
Folder 1

African Dance / [by Charles Coleman],

1 ms. condensed score (2 pages) ; 31 cm. Holograph sketch, in pencil.


Box 1
Folder 1

American Dance No. 1 [for piano] / [by] Chas. D. Coleman, 1944.

1 ms. score (3 pages) ; 28 cm. Holograph, in ink.

Note
Markings in red pencil, including deletion of word “American” in title.


Box 1
Folder 1

Go Down Moses [for mixed voices] / by Coleman, 1952.

1 ms. score (1 page) ; 31 cm. Holograph, in ink.


Box 1
Folder 1

Hear Our Prayer ; Te Deum [for mixed voices], 1951.

1 ms. score (1 page) ; 31 cm. Holograph, in ink.


Box 1
Folder 1

John Kennedy [for mixed voices and piano] / words and music by Charles Coleman (two copies), 1963.

2 ms. scores (10 pages each) ; 28 cm. Holograph in ink, photoreproduction of holograph.


Box 1
Folder 2

Kyrie Eleison [for solo voices or chorus (SAB) and piano] / C. Coleman.

1 ms. score (4 pages) ; 29 cm. Holograph sketch, in ink and pencil.

Note
On title page: “Music 301.”


Box 1
Folder 2

Lead Kindly Light [for mixed voices] / [arranged by?] Charles Coleman.

1 ms. score (1 page) ; 31 cm. Holograph, in ink.

Note
On title page: John Newman, 1801-1890.


Box 1
Folder 2

The Lord’s Prayer [for mixed voices] / [by] C. D. Coleman, [19]55.

1 ms. score (1 page) ; 33 cm. Holograph, in ink [may be photoreproduction].

Note
At bottom of page: To the Excelsior Choir of the Tabernacle Baptist Church.


Box 1
Folder 2

Minuet [for piano] / [by] Chas. D. Coleman, 1944.

1 ms. score (1 page) ; 29 cm. Negative photoreproduction.

Note
At top of title page: Dedicated to the Progressive Miss Gloria Taylor.


Box 1
Folder 2

Mu Delta Mu [for solo? voice and piano] / [by] Charles D. Coleman, 1946.

1 ms. score (1 page) ; 28 cm. Holograph sketch, in ink and pencil.

Note
At top of title page: Sept. 20, 1946.


Box 1
Folder 2

Nocturne [for piano] / [by Charles Coleman].

1 ms. score (2 pages) ; 27 cm. Holograph, in pencil.


Box 1
Folder 3

The 100th Psalm [for chorus (SATB) and organ] / [by] C. Coleman.

1 ms. score (8 pages) ; 31 cm. Holograph, in ink.


Box 1
Folder 3

Prelude to Life [for unspecified treble instrument and piano or organ] / [by Charles Coleman].

1 ms. score (2 pages) ; 28 cm. Holograph, in pencil.

Note
Title added in green ink. At end: Aug. 4.


Box 1
Folder 3

Practice [for piano] / [by Charles Coleman].

1 ms. score (2 pages) ; 27 cm. Holograph sketch, in pencil.


Box 1
Folder 3

Rise Up O Men of God [arr. for mixed voices and piano] / [by] Charles Coleman.

1 ms. score (6 pages) ; 28 cm. Holograph, in ink.

Note
At top of title page: Wm. [Merrill?]-1867.


Box 1
Folder 3

Show Me Thy Way [for mixed voices] / [by Charles] Coleman, 1951.

1 ms. score (1 page) ; 34 cm. Holograph, in ink [may be photoreproduction].


Box 1
Folder 4

Take Up Thy Cross “Wareham” [for high voice] / [by] C. Coleman, 1958.

1 ms. part (1 page) ; 29 cm. Holograph sketch, ink over mimeograph copy.

Note
At bottom of page: "Oct. 19, 1958 / Tabernacle Baptist Church / C. Coleman".


Box 1
Folder 4

Theme : Small Town USA ; Story Lady Theme: Orient [for piano] / [arr.? by Charles Coleman].

1 ms. score (2 pages) ; 27 cm. Holograph, in pencil; portions of titles added in ink.


Box 1
Folder 4

To Joyce [for piano] / [by] Chas. Coleman, 1943.

2 ms. scores (1 page each) ; 28 cm. Holograph, in ink, 1 negative photoreproduction.

Note
On verso: To Joyce composition written 1943 Detroit dedicated to Miss Joyce Taylor By Charles D. Coleman, composer.


Box 1
Folder 4

Tone Row [for piano].

1 ms. score (1 page) ; 28 cm. Holograph, in pencil.

Note
Notes about various composers on verso.


Box 1
Folder 4

Two Part Invention Music [for piano] / [by?] C. Coleman.

1 ms. score (4 pages) ; 28 cm. Holograph, in ink.


Box 1
Folder 4

[Untitled excerpt, for mixed high voices] / [by Charles Coleman], 1956.

1 ms. score (1 page) ; 31 cm. Holograph, in ink.

Note
Page is numbered as pg. 2.

At end of score: For the Tabernacle Women’s Chorus / April 13th 1956 / Detroit, Mich.


Box 1
Folder 4

Violin Duo [for 2 violins] / [by] C. Coleman, 1957.

1 ms. score (6 pages) ; 31 cm. Holograph, in ink; leaf 4 is photoreproduction.

Note
At end of score: Chares [sic] Coleman, Jan. 1957 / University of Michigan.


Series: 2. Printed Scores, 1964-1986. 

11 works, 18 printed scores.


Box 1
Folder 5

Alleluia / Charles D. Coleman. Detroit: Northwestern School of Music Press, 1976.

1 score (13 pages) ; octavo.

Note
For mixed voices (SATB) with optional piano accompaniment.


Box 1
Folder 5

Be Thou Faithful Unto Death / Charles D. Coleman. Detroit: Northwestern School of Music Press, 1986.

1 score (11 pages) ; octavo.

Note
For mixed voices (SSAATTBB) and piano.

At head of title page: For the annual convention of the N.A.N.M., Aug. 16-23, 1953 / Dr. Roscoe R. Polin, President / First performance: Dett Choral Club of Indianapolis, Ind.


Box 1
Folder 5

Blest Be the Tie / Charles D. Coleman. Detroit: Northwestern School of Music Press, 1977.

1 score (9 pages); octavo.

Note
For mixed voices and piano.

At head of title page: For the Detroit Public Library Hackley Memorial Concert, March 10, 1958; First performance: Excelsior Choir.


Box 1
Folder 5

The Christmas Song / Charles D. Coleman, Nov. ’49. Detroit: Northwestern School of Music Press, 1985.

2 scores (7 pages each); octavo.

Note
For mixed voices (SATB); piano accompaniment for rehearsal only.


Box 1
Folder 5

Impromptu / Charles Coleman. Detroit: Northwestern School of Music Press, 1977.

4 scores (3 pages each); octavo.

Note
For organ, pedals alone.


Box 1
Folder 5

Let Us Break Bread: Communion Spiritual / arranged by Charles D. Coleman. Detroit: Northwestern School of Music Press, 1976.

1 score (2 pages); octavo.

Note
For mixed voices (SATB).


Box 1
Folder 6

The Lord’s Prayer / Charles D. Coleman. Detroit: Northwestern School of Music Press, 1964.

3 scores (4 pages each); octavo.

Note
For mixed voices (SATB) and piano.


Box 1
Folder 6

O Perfect Love / Charles D. Coleman, and [words by?] Dorothy Gurney. Detroit: Northwestern School of Music Press, 1977.

1 score (10 pages); octavo.

Note
For mixed voices and piano.

Top of title page: For Brazeal W. Dennard and his Bride Murtis August 26th 1959.


Box 1
Folder 6

O Perfect Love / Charles D. Coleman and [words by?] Dorothy Gurney. Detroit: Northwestern School of Music Press, [1977?]

1 score (3 pages); 32 cm.

Note
Pages 2 and 3 are missing. Arranged for high voices and piano.


Box 1
Folder 6

Praise to the Lord / Charles Coleman ’74. Detroit: Northwestern School of Music Press, 1977.

1 score (17 pages); octavo.

Note
Trumpet part on verso, page 17. For 2 trumpets, mixed voices (SATB), and organ.

At head of title page: For Brazeal Dennard and the North Western Hi Choir.


Box 1
Folder 6

Seeking for That City / arranged by Charles Coleman. Detroit: Northwestern School of Music Press, 1977.

1 score (5 pages); octavo.

Note
For soprano solo, mixed voices, and piano.


Box 1
Folder 6

Sonata No. 1: for organ / Charles D. Coleman. Detroit: Northwestern School of Music Press, 1979.

1 score (18 pages); octavo.

Note
At head of title page: Dedicated to Dr. Eugene Hancock.


Series: 3. Ephemera, undated.

Box 1
Folder 7

Ephemeral Materials, undated.

1 photograph in color, Northwestern School of Music, Dance and Drama brochure, biographical materials, Violin Duo program notes (1957).


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