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Frank St. Leger papers, 1927-1968, bulk 1949-1953

A Guide to the Papers at the Indiana University Archives


Electronic finding aid encoded by Donald C. Force

Summary Information

Repository
Indiana University Archives
1320 East Tenth Street
Herman B Wells Library E460
Bloomington, IN 47405-7000
Phone: 812-855-1127
Email: archives@indiana.edu
http://www.libraries.iub.edu/archives

Creator
St. Leger, Frank.

Title
Frank St. Leger papers, 1927-1968,  bulk 1949-1953

Collection no
C318

Extent
1.3 cubic feet
(3 boxes)

Language
Materials are in English.

Abstract
Musician and conductor Frank St. Leger was a professor of music at Indiana University from 1953-1968. Prior to accepting the teaching position at IU, St. Leger held a number of noteworthy positions in the music and entertainment business, including a teaching position at the Royal Academy of Music in London, accompanist for top performers such as Austrialian soprano Nellie Melba, and musical advisor for the Twentieth Century-Fox Film Corporation. Collection focuses largely on St. Leger's music career prior to teaching at Indiana University and includes correspondence, notes and ideas for lectures and musical productions, recorded music lectures, and newspaper clippings. Prominent in the collection is St. Leger's correspondence with Spyros P. Skouras, president of Twentieth Century-Fox Film Corporation, regarding St. Leger's ideas for musical programs.

Access Restrictions

Select files closed to researchers. These are indicated in the folder list.

Advance notice is required for access.

Biographical Note

Frank St. Leger, Professor Emeritus of Music at Indiana University, was born Douglas Francis Warham St. Leger on May 30, 1890 in Madras, India and died on December 26, 1969. In 1913, St. Leger earned an Honorary Associate Degree from the Royal Academy of Music in London where he served as an assistant professor from 1910 to 1912 and where he began his work as a composer. From 1912 to 1925, St. Leger was the professional accompanist for top performers including Australian soprano Nellie Melba. He took two years off from his musical career to serve in the Australian Army, but he returned to join Melba for a tour in 1917.

In the 1920s, St. Leger began conducting for the Covent Garden in London, the British National Opera Company, and the Chicago Civic Opera Company. He later co-founded the American Opera Company and served as its musical director. In the 1930s, St. Leger began working for the Central City Opera House Association in Colorado where he served as producer and music coordinator until 1953. St. Leger also worked for the Metropolitan Opera Association of New York from 1939 to 1951 where he served as conductor, musical secretary, and, later in his career, assistant manager. From 1948 to 1953, St. Leger served as musical advisor for 20th Century Fox Films.

In 1953, St. Leger was appointed Visiting Professor of Music at Indiana University where he continued to work part-time after his retirement in 1960. At Indiana University, St. Leger taught song literature, coached song languages, conducted student performances, served as chairman of the voice department and as an advisor for the Opera Theatre. In 1963, St. Leger was awarded the title Professor Emeritus of Music. He resigned from the university in 1968.

Preceded in death by his wife Katharine Elizabeth Millsbaugh and survived by his son Francis William Hugh, Frank St. Leger died in Bloomington, Indiana on December 26, 1969.

Scope and Content Note

The papers of Frank St. Leger focus largely on his career in music prior to teaching at Indiana University. The earliest records date from 1927 in his personal newspaper clippings and end with correspondence in 1968. The collection is arranged into five series: General correspondence; Music career; Musical scores; Personal materials and other interests; and Teaching files. Each series is arranged alphabetically into folders created at the archives. Restricted materials are filed at the back of Box 1, and some musical scores and legal sized documents are filed in Box 2, a legal sized document case.

The first series in the collection is General correspondence, 1937-1968. The correspondence is arranged alphabetically by surname. Individuals with multiple pieces of correspondence are named and filed in separate folders. One folder, titled Unknown, contains anonymous correspondence and correspondence signed with a first name only. Most of the correspondence is incoming and dates from 1949-1952. Included in this series are letters from Charles F. Collison, a newspaper feature writer and music reviewer, and Florence Guarino, St. Leger’s personal secretary.

The next and largest series, Music career, 1930-1967, includes five sub-series: AV materials; Central City Opera House Association; Metropolitan Opera Association; Twentieth Century–Fox Film Corporation; and Other professional papers. The AV materials sub-series consists of 13 undated performances and lectures recorded on analog open reel audio tape at speeds of 3 ¾ and 7 ½ ips. The folder list contains the notations written on the cases of each tape. Within the Central City Opera House Association sub-series are letters to and from various association officers and correspondence regarding a special recognition St. Leger was given in 1948. The Metropolitan Opera Association sub-series includes a copies of St. Leger’s original contracts from 1940 and 1949, and a travel ledger kept by St. Leger during a trip he and his wife took to Europe in 1949. Most of the papers in this series fall into the Twentieth Century–Fox Film Corporation sub-series. Included here is extensive correspondence to and from Spyros P. Skouras, president of the film corporation. A large portion of this correspondence and much of the remaining sub-series concerns St. Leger’s original ideas for musical programs and subjects. The last sub-series, Other professional papers, consists of papers from other music organizations, such as the Chicago Civic Opera Company, and undated handwritten notes and outlines for speeches and lectures about music subjects, predominantly opera.

The Musical scores series, 1943-1955, includes titled and untitled, dated and undated musical scores collected by St. Leger. None of the works are attributed to St. Leger himself, but some may be student work. Some of the scores include lyrics, but most do not. One file from 1943 includes both lyrics and correspondence from a Carina Orasto.

The next series, Personal materials and other interests, 1927-1968, includes newspaper clippings on a variety of subjects and programs for religious services, musical festivals, orchestras, and song recitals attended by St. Leger. Of particular interest in this series are documents and correspondence concerning St. Leger’s petition for United States naturalization, which he was granted in 1942.

The final series in this collection, Teaching files, 1950-1967, includes correspondence, course materials, student work, and programs for graduate recitals during St. Leger’s career at Indiana University. Prominent correspondents in this series include Indiana University President Herman B Wells and Wilfred C. Bain, Dean of the School of Music.

All materials are stored in Box 1 unless otherwise noted in the folder list.

Arrangement

Collection is organized into five series: General correspondence; Music career; Musical scores; Personal materials and other interests; and Teaching files.

Separated Material

Two stage set-up drawings, two stage rough sketches, and six musical scores were removed and filed with Oversized material. The six musical scores are stored in a tall legal-sized document case. See Archives staff for more information.
Photographs transferred to Archives Photographs Collection. Photographs pulled include: An envelope of negatives and approximately 85 unmarked and loose photographs of St. Leger’s friends and family, vacations, and scenery from Accession 0913. One photograph of Carolyn Rees which was attached to her 1955 application for graduate school at Indiana University. Several photographs from a 1946 Central City Opera House Association Preview scrapbook. Four professionals photos of Irra Petina, four of Oscar Karlweis, and one of Edmund Johnston.

Administrative Information

Acquisition Information
Accessions 0913, 0824, 0731, 7135
Usage Restrictions
The donor(s) of this collection have not transferred their copyrights for the materials to the Trustees of Indiana University. For more information, please contact the Indiana University Archives staff.

The Indiana University Archives respects the intellectual property rights of others and does not claim any copyrights for non-university records, materials in the public domain, or materials for which we do not hold a Deed of Gift. Responsibility for the determination of the copyright status of these materials rests with those persons wishing to reuse the materials. Researchers are responsible for securing permission from copyright owners and any other rights holders for any reuse of these materials that extends beyond fair use or other statutory limitations.

Digital reproductions of archival materials from the Indiana University Archives are made available for noncommercial educational and research purposes only. If you are the copyright holder for any of the digitized materials and have questions about its inclusion on our site, please contact the Indiana University Archivist.

Preferred Citation
[Item], Frank St. Leger papers, Collection C318, Indiana University Archives, Bloomington.
Appraisal
Twenty-six books from Accession 7135 were set aside to be returned to St. Leger’s son, Francis William Hugh St. Leger. The books covered a variety of subjects, but none were written by St. Leger. Some books had inscriptions from the authors and other books belonged to the son. Family photographs and duplicate photographs from Accession 0731 were also returned to Mr. St. Leger. Duplicate recital forms from Indiana University were discarded.
Processing Information
Processed by Janna Carney.

Completed in 2006.


Series: General correspondence, 1937-1968 

Box 1 A-B, 1942-1955 

C-D, 1942-1968 

Collison, Charles F., 1949-1950 

Dockterman, Dorothy L., 1949 

Restricted


E-F, 1947-1967 

Endicott, H. Wendell, 1949-1950 

G-I, 1948-1953 

Greene, James, 1950 

Guarino, Florence, 1949-1950 

Hawn, Harold G., 1964 

Restricted


J-L, 1949-1957 

Loomis, Clarence, 1950-1955 

M-N, 1939-1950 

Nagy, Elemer, 1950-1952 

O-Q, 1950-1956 

Owen, Evalyn, 1947 

R-S, 1950-1967 

St. Leger, Frank, 1948-1953 

T-V, 1945-1952 

W-Z, 1937-1963 

Unknown author, 1949-1952,   undated 

Series: Music career, 1930-1967 

Subseries: AV materials, undated 

Hebrew Melodies – Peerce, Two Russian Folksongs, Two Improvisations

Physical Description

¼" open reel audio tape: 5"; polyester; 1 mil; 7.5 ips; Knight


St. Leger, March 3-7

Physical Description

¼" open reel audio tape: 5"; polyester; 1 mil; 3.75 ips; Knight


St. Leger, April 11-14, (Schwanengesang - Winterreise)

Physical Description

¼" open reel audio tape: 7"; acetate; 1.5 mil; Audiotape Type 1251


St. Leger, April 16-18, Winterreise

Physical Description

¼" open reel audio tape: 7"; acetate; 1.5 mil; Audiotape Type 1251


St. Leger, February 14-19

Physical Description

¼" open reel audio tape: 7"; acetate; 1.5 mil; 3.75 ips; Audiotape Type 1251


St. Leger Lectures, February 21-24

Physical Description

¼" open reel audio tape: 7"; acetate; 1.5 mil; 3.75 ips; Audiotape Type 1251


St. Leger, February 26-28

Physical Description

¼" open reel audio tape: 7"; acetate; 1.5 mil; 3.75 ips; Audiotape Type 1251


St. Leger, March 12-19

Physical Description

¼" open reel audio tape: 7"; acetate; 1.5 mil; 7.5 ips; Audiotape Type 1251


St. Leger, March 31, April 2

Physical Description

¼" open reel audio tape: 7"; acetate; 1.5 mil; 3.75 ips; Audiotape Type 1251


St. Leger, April 25, Schubert Songs, April 30, Russian Music, American Opera Discussion

Physical Description

¼" open reel audio tape: 7"; acetate; 1.5 mil; Scotch 111


May 5, Chaliapin, May 9, Eugene Orregin

Physical Description

¼" open reel audio tape: 7"; acetate; 1.5 mil; Scotch 111


St. Leger, April 21, Winterreise, April 23, April 28

Physical Description

¼" open reel audio tape: 7"; acetate; 1.5 mil; Scotch 111


St. Leger Lectures

Physical Description

¼" open reel audio tape: 7"; acetate; 1 mil; Knight


Subseries: Central City Opera House Association, 1940-1952 

Correspondence,

Box 1 Re: 1948  Festival’s Recognition of St. Leger

Brierly, Justin W., 1949-1950 

Moore, Davis W., 1950 

Ricketson, F.H. (Frank) Jr., 1945-1952 

Stophlet, Donald V., 1950-1952 

Newspaper Clippings, 1952 

Preview, 1946 

Productions, c.1950 

Report of Financial Operations, 1940-1941  

Legal-sized, Box 2


Subseries: Metropolitan Opera Association, 1940-1952 

Box 1 Contracts, 1940-1949 

Scrapbook, Production of "Mignon," 1949 

Trip to Europe Ledger and Memo, 1949 

Vouchers, 1951-1952 

Subseries: Twentieth Century–Fox Film Corporation, 1947-1953 

Box 1 Agreement with Twentieth Century – Fox Films, 1948 

Correspondence,

From Skouras, Spyros P. (President), 1949-1950 

From St. Leger, 1947-1953 

To St. Leger, 1952-1953 

Ideas, Notes, and Subjects,

Aesop’s Fables, 1953 

Biggs, E. Power, c.1950 

Bob and Roberta, c.1952 

Legal-sized, Box 2
Robert Merrill and Roberta Peters


Boheme, undated 

Legal-sized, Box 2
There may be a relationship to Central City


Brazilian Project, 1950 

The Brute, c.1951 

Legal-sized, Box 2


Folk Music, 1950 

Legal-sized, Box 2


Melton, James (Ideas for a Short Subject), 1950 

Legal-sized, Box 2


Mr. Offenbach Writes an Opera, undated 

Legal-sized, Box 2


Pages from My Diary (Treatment), 1950 

Petina, Irra (TV Subject), 1952-1953 

Legal-sized, Box 2


Pons-Kostelanetz, 1950 

Shaw, Robert, 1950 

Stevens, Rise (Project Package #1), 1950 

Untitled Draft, undated 

Untitled Treatment, 1950 

Musical Short, undated 

Legal-sized, Box 2


Package Ideas, 1950 

TV Notes, c.1952 

Other Ideas, Notes, and Subjects, 1950,   undated 

Legal-sized, Box 2


Johnston, Edmund, c.1952 

Karlweis, Oscar, undated 

Sample Budgets and Estimated Costs, undated 

Television Survey, 1952 

Subseries: Other professional papers, 1930-1967 

Box 1 Chicago Civic Opera Company, 1930-1931 

Concert Management Arthur Judson, Inc., 1937 

Lecture Notes, undated 

National Association of Teachers of Singing, Charles Hedley Translation Project, 1967 

Notes and Outlines, undated 

Legal-sized, Box 2
Note: Poems not written by St. Leger


Poems, undated 

Note: Scripts not written by St. Leger


Rough Sketches, "The Gondoliers" Act I & II (Two Sketches)

Removed and filed in oversized


Scripts, undated 

Series: Musical scores, 1943-1955,   undated 

Box 1 “Carneval of Venice,” undated 

“Chansons pour Elle” by Paul Puget, published 1895

Removed and filed in oversized


"Hymn to the Virgin Ave Maria" by Benjamin Carr, published 1810

Legal-sized, Box 2


“In my Castle of Dreams with You” by Larry Walker, 1930 and “Can’t Yo’ Heah me Callin,’ Caroline” by Wm. H. Gardner and Caro Roma, 1914 

Legal-sized, Box 2


“No. 4 Io Crudele?,” undated 

Removed and filed in oversized


“River Jordan Fantasy on Israeli Songs” by Edward Payson, undated 

Removed and filed in oversized
File includes lyrics


“Thou art my God” and “O Give Thanks to the Lord” by Hugh Dean, undated 

“To the Memory of a Hero” by Carina Orasto, 1943 

Removed and filed in oversized
File includes lyrics and correspondence


Untitled work by Richard Schoenbohn, c.1954-1955 

Legal-sized, Box 2
Composition on Indiana University workbook


Untitled, no author, undated  

(2 folders)


Series: Personal materials and other interests, 1927-1968 

Box 1 Chaminade Club of Yonkers, c. 1945  

File includes graphs concerning musical productions


Clippings, 1927-1932,   undated 

File includes graphs concerning musical productions


DePace, Michael, Funeral Card, 1949 

Midcontinent American Studies Journal, 1968 

Programs for Religious Services, Musical Festivals, Orchestras, and Song Recitals, 1949-1952 

United States Immigration and Naturalization, 1937-1942 

Series: Teaching files, 1950-1967 

Box 1 Class Record Book, 1954 

Correspondence,

Bain, Wilfred C., 1966 

Sims, Earl, 1954 

Wells, Herman B, 1950 

“Folk and Cult Music of Jamaica,” B.W.I. by Laura Bernice Murray, undated 

This Indiana University thesis was published in 1972. Relationship to St. Leger is unknown.


Gluck Term Paper M688, 1966 

Operatic Literature Final Examination, 1957 

Pi Kappa Lambda, 1955 

Rees, Carolyn M., Application to Graduate School, 1955 

Restricted


School of Music Graduate Recitals, 1953-1967 

School of Music Library Acquisition List, 1964 

Song Literature,

Notes, undated 

Student Work, undated 

Stage Maps (2), undated 

Removed and filed in oversized
File includes lyrics and correspondence


String Workshop Methods and Simple Ensemble Materials, 1960 

Survey of Opera Literature, Student Work, 1954 

Voice Recital Forms, undated 

Box 2 Legal-sized documents and some musical scores.

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