Jessie Maple Collection, 1971-1992
A Guide to her Holdings at the Black Film Center/Archive
Finding aid prepared by Mary Huelsbeck/Hannah
Caproon/Gabriel Gardner/Stacey Doyle
Summary Information
Repository
Black Film
Center/Archive
1320 East Tenth Street
Herman B Wells Library, Room 044
Bloomington, IN 47405-7000
Phone: 812-855-6041
Fax: 812-856-5832
Email: bfca@indiana.edu
http://www.libraries.iub.edu/~bfca
Creator
Jessie Maple
TitleJessie Maple Collection, 1971-1992
Collection No.
Special Collection JM
Extent
1.8 cubic feet (4 boxes) and 14 cans of film
Language
Materials are in English
Abstract
Papers and films of independent female
African American filmmaker Jessie Maple. The collection includes seven of her films,
articles and a book Maple wrote, grant proposals, materials documenting
discrimination lawsuits she filed in order to work as a cameraperson along with
other material.
Access Restrictions
Films on videocassette may be viewed at the Black Film Center/Archive but copies may
not be made or purchased. Access to film elements and prints is restricted; please
contact the archivist for more information.
Biographical Note
Jessie Maple was a pioneer for African American women in the film industry. Before
becoming a filmmaker, Maple worked as a bacteriologist and as a writer for the
New York Courier. After attending the NET Channel 13
Training School and Third World Cinema in New York, she became the first African
American woman to become a member of the union of International Photographers of
Motion Picture & Television (IATSE) in New York in 1975. Prior to her acceptance into the union, Jessie Maple served as
apprentice film editor for two MGM motion pictures:
Shaft's Big Score (1972) and
The Super Cops (1974).
Maple complied her experiences of breaking into the union and profession in a book
entitled
How to Become a Union Camerawoman,
Film-Videotape
, published in 1977. As
a member of the union, during the latter half of the 1970s and into the 1980s,
Jessie Maple worked as an assistant cameraperson, cameraperson, and assistant film
editor for several television stations in New York, including WABC, WCBS, and
WNBC.
Jessie Maple and her husband, Leroy Patton, founded LJ Film Productions, Inc. in
1974 and began producing short documentaries.
Their first film,
Methadone: Evil Spirit or Wonder Drug
(1975-1976),
explored the effects of distributing methadone to heroin addicts in order to curb
their addiction. Following several short documentaries, Maple produced
Will (1981), the first
feature-length independent film produced by an African American woman.
Will won an award at the Athens International Film
Festival and was used as an educational film at many New York drug rehabilitation
centers. The film was also actress Loretta Devine's first feature film role.
Jessie Maple directed her second feature film,
Twice as
Nice
, in 1988.
In 1982, Maple founded 20 West, Home of Black
Cinema in Harlem as a showplace for independent black films. This theater served as
an outlet for independent filmmakers to show their films to the public throughout
the 1980s before its closing in 1992. The motto of 20 West was: "It makes sense to have
a choice."
Jessie Maple discussed her career experiences in two recent doumentaries -
Sisters in Cinema (2003) and
Women Behind Camera
(2007).
Scope and Content Note
The Jessie Maple Collection is arranged into 13 series: Films, 1975-1988; Training and
Qualifications, 1971-1991;
General Correspondence, 1971-1987; Writings, 1969-1977; Script Drafts, n.d.; Film Publicity, 1977-1988; Directing Workshop for
Women, 1980-1982; 20 West,
1983-1991; General
Clippings, 1975-1991;
Photographs, n.d.; Grant Files and Proposals, 1977-1992; Sex Discrimination Lawsuit[s],
1975-1985; and
Miscellaneous.
Administrative Information
Acquisition Information
Jessie Maple deposited the collection in June 2005.
Usage Restrictions
Photocopying permitted only with permission of the Archivist.
Preferred Citation
[item], Jessie Maple Collection, Special Collection JM, Black Film
Center/Archive, Indiana University, Bloomington.
Processing Information
Processed by BFC/A Staff.
Collection Inventory
Series:
Films, 1975-1988
Black Economic Power: Reality or
Fantasy?
, 1977
Escape Artists, 1982
In Search of Me, 1983
Methadone: Evil Spirit or Wonder
Drug
, 1975-1976
Swish - Cheryl Miller, 1984
Twice as Nice, 1988
Twice as Nice, DIA track A-C,
1988
Twice as Nice, music track A-B,
1988
Twice as Nice, FX track A-D (R-1),
1988
Twice as Nice, cut pix (R-1),
1988
Twice as Nice, party outtakes 1-7,
1988
Twice as Nice, loops, 1988
Twice as Nice, reel 1, loops,
1988
Will, 1981
Series:
Box 1
Training and Qualifications, 1971-1991
Biographical Information and Resumes, undated
Early film training, 1972-1973
Employment inquiry correspondence, 1977
Fellowships and Honors, 1985-1991
IATSE union materials, 1973-1974
Peggy Pin and NET Training School, 1971 , undated
Series:
Box 1
General Correspondence, 1971-1987
Correspondence, 1971-1987
Series:
Box 1
Writings, 1969-1977
Article,
New York Amsterdam News,
November 27,
1971
Article,
The New York Courier,
December 27,
1969
Commencement speech, Television Training School, May 24, 1976
"Jessie's Grape Vine,"
The New
York Courier
,
1970
"Jessie's Grape Vine,"
The New
York Courier
,
1971
Monograph,
How to Become a Union
Camerawoman: Film-Videotape
, New York: L.J., 1977
Series:
Box 1
Script Drafts, undated
Higher Ground (aka
Will) first draft, undated
Twice as Nice shooting script for
party scene, undated
Series:
Box 1
Film Publicity, 1977-1988
Athens International Film Festival, 1981
Program, Third Annual New York Black Film Festival, 1977
Twice as Nice, undated
Will, undated
Series:
Box 2
Directing Workshop for Women, 1980-1982
Cast/Crew lists, undated
Correspondence, September 1980
- March 1982
Press release,
Escape Artists,
1982
Production and shooting schedule, February 1982
Programs,
Escape Artists, 1982
Record of Insurance, undated
Series:
Box 2
20 West, 1983-1991
Calendars, September
1985 - May 1990
Clippings, 1983-1991 , undated
Correspondence from 20 West, 1983-1984
Correspondence from 20 West, 1985
Correspondence from 20 West, 1986
Correspondence from 20 West, 1987-1988
Correspondence from 20 West, 1989-1990
Correspondence from 20 West, undated
Correspondence to 20 West, 1985
Correspondence to 20 West, 1986-1987
Correspondence to 20 West, 1988-1989
Correspondence to 20 West, 1990-1991
Correspondence to 20 West, undated
Publicity, 1983-1991 , undated
Screening contracts, May 1985 - September 1990
Series:
General Clippings, 1975-1991
Box 2
General clippings, 1975
Box 4
General clippings, 1975 ,
oversize
Box 2
General clippings, 1976
Box 4
General clippings, 1976 ,
oversize
Box 2
General clippings, 1977
General clippings, 1978
General clippings, 1979
General clippings, 1980
General clippings, 1981
General clippings, 1983
Box 4
General clippings, 1983 ,
oversize
Box 2
General clippings, 1984
Box 2
General clippings, 1985
Box 4
General clippings, 1985 ,
oversize
Box 2
General clippings, 1986
Box 4
General clippings, 1987 ,
oversize
Box 2
General clippings, 1991
Box 2
General clippings, undated
Series:
Box 3
Photographs, undated
Jessie Maple, undated
Jessie Maple & Richard Heimann, undated
Jessie Maple on the set of
Twice as
Nice
, undated
Jessie Maple with Leroy Patton, undated
Jessie Maple posing with three people in front of theatre,
undated
Jessie Maple with film camera, undated
Jessie Maple walking with unidentified woman, undated
Jessie Maple holding Carl B. Stokes album, undated
Series:
Grant Files and Proposals, 1977-1992
Behind the Camera book proposal,
1977 [?]
CETA Media Works grant materials, 1977
City of New York Department of Cultural Affairs Grants, 1984
City of New York Department of Cultural Affairs Grants, 1985
City of New York Department of Cultural Affairs Grants, 1986
City of New York Department of Cultural Affairs Grants, 1987
City of New York Department of Cultural Affairs Grants, 1988
City of New York Department of Cultural Affairs Grants, 1989
Grant Proposal for
Black Economic
Power
, 1978
Guggenheim grant application, undated
Media Arts Program grant proposal for
Twice
as Nice
, 1986-1987
New York State Council of the Arts grants, 1986
New York State Council of the Arts grants, 1987
New York State Council of the Arts grants, 1988
New York State Council of the Arts grants, 1989
New York State Council of the Arts grants, 1990
New York State Council of the Arts grants, 1991
New York State Council of the Arts grants, undated
Series:
Box 3
Discrimination Lawsuits, 1975-1985
Lawsuit documents, 1975
Lawsuit documents, 1976
Lawsuit documents, 1977
Lawsuit documents, 1978
Lawsuit documents, 1979
Lawsuit documents, 1980-1985
Series:
Miscellaneous
Box 4
Calendar, Harlem Winters, 1985
Box 3
Copyright form,
Twice as Nice,
1985
Essay, "Black Economic Power: Reality or Fantasy?" by
Leroy Patton, undated
List, "African American Women's Feature Films,"
undated
Names and address list, undated
Box 4
Recording Log,
Twice as Nice, undated