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Jessie Maple Collection, 1971-1992

A Guide to her Holdings at the Black Film Center/Archive

Finding aid prepared by Mary Huelsbeck/Hannah Caproon/Gabriel Gardner/Stacey Doyle

Summary Information

Repository
Black Film Center/Archive
1320 East Tenth Street
Herman B Wells Library, Room 044
Bloomington, IN 47405-7000
Phone: 812-855-6041
Fax: 812-856-5832
Email: bfca@indiana.edu
http://www.libraries.iub.edu/~bfca

Creator
Jessie Maple

Title
Jessie Maple Collection, 1971-1992

Collection No.
Special Collection JM

Extent
1.8 cubic feet (4 boxes) and 14 cans of film

Language
Materials are in English

Abstract
Papers and films of independent female African American filmmaker Jessie Maple. The collection includes seven of her films, articles and a book Maple wrote, grant proposals, materials documenting discrimination lawsuits she filed in order to work as a cameraperson along with other material.

Access Restrictions

Films on videocassette may be viewed at the Black Film Center/Archive but copies may not be made or purchased. Access to film elements and prints is restricted; please contact the archivist for more information.

Biographical Note

Jessie Maple was a pioneer for African American women in the film industry. Before becoming a filmmaker, Maple worked as a bacteriologist and as a writer for the New York Courier. After attending the NET Channel 13 Training School and Third World Cinema in New York, she became the first African American woman to become a member of the union of International Photographers of Motion Picture & Television (IATSE) in New York in 1975. Prior to her acceptance into the union, Jessie Maple served as apprentice film editor for two MGM motion pictures: Shaft's Big Score (1972) and The Super Cops (1974).

Maple complied her experiences of breaking into the union and profession in a book entitled How to Become a Union Camerawoman, Film-Videotape , published in 1977. As a member of the union, during the latter half of the 1970s and into the 1980s, Jessie Maple worked as an assistant cameraperson, cameraperson, and assistant film editor for several television stations in New York, including WABC, WCBS, and WNBC.

Jessie Maple and her husband, Leroy Patton, founded LJ Film Productions, Inc. in 1974 and began producing short documentaries. Their first film, Methadone: Evil Spirit or Wonder Drug (1975-1976), explored the effects of distributing methadone to heroin addicts in order to curb their addiction. Following several short documentaries, Maple produced Will (1981), the first feature-length independent film produced by an African American woman. Will won an award at the Athens International Film Festival and was used as an educational film at many New York drug rehabilitation centers. The film was also actress Loretta Devine's first feature film role. Jessie Maple directed her second feature film, Twice as Nice , in 1988.

In 1982, Maple founded 20 West, Home of Black Cinema in Harlem as a showplace for independent black films. This theater served as an outlet for independent filmmakers to show their films to the public throughout the 1980s before its closing in 1992. The motto of 20 West was: "It makes sense to have a choice."

Jessie Maple discussed her career experiences in two recent doumentaries - Sisters in Cinema (2003) and Women Behind Camera (2007).

Scope and Content Note

The Jessie Maple Collection is arranged into 13 series: Films, 1975-1988; Training and Qualifications, 1971-1991; General Correspondence, 1971-1987; Writings, 1969-1977; Script Drafts, n.d.; Film Publicity, 1977-1988; Directing Workshop for Women, 1980-1982; 20 West, 1983-1991; General Clippings, 1975-1991; Photographs, n.d.; Grant Files and Proposals, 1977-1992; Sex Discrimination Lawsuit[s], 1975-1985; and Miscellaneous.

Administrative Information

Acquisition Information
Jessie Maple deposited the collection in June 2005.
Usage Restrictions
Photocopying permitted only with permission of the Archivist.
Preferred Citation
[item], Jessie Maple Collection, Special Collection JM, Black Film Center/Archive, Indiana University, Bloomington.
Processing Information
Processed by BFC/A Staff.
  • Indexing Terms

  • The following terms have been used to index the description of this collection. Materials about related topics, persons or places can be found by searching the catalog using these terms.

    • Topics
    • African American motion picture producers and directors
    • African American women motion picture producers and directors
    • Independent filmmakers
    • Motion pictures--Production and Direction
    • Motion pictures--United States

Collection Inventory


Series: Films, 1975-1988

Black Economic Power: Reality or Fantasy? , 1977 

Escape Artists, 1982

In Search of Me, 1983

Methadone: Evil Spirit or Wonder Drug , 1975-1976

Swish - Cheryl Miller, 1984

Twice as Nice, 1988

Twice as Nice, DIA track A-C, 1988

Twice as Nice, music track A-B, 1988

Twice as Nice, FX track A-D (R-1), 1988

Twice as Nice, cut pix (R-1), 1988

Twice as Nice, party outtakes 1-7, 1988

Twice as Nice, loops, 1988

Twice as Nice, reel 1, loops, 1988

Will, 1981

Series: Box 1 Training and Qualifications, 1971-1991

Biographical Information and Resumes, undated

Early film training, 1972-1973

Employment inquiry correspondence, 1977

Fellowships and Honors, 1985-1991

IATSE union materials, 1973-1974

Peggy Pin and NET Training School, 1971 , undated

Series: Box 1 General Correspondence, 1971-1987

Correspondence, 1971-1987

Series: Box 1 Writings, 1969-1977

Article, New York Amsterdam News, November 27, 1971

Article, The New York Courier, December 27, 1969

Commencement speech, Television Training School, May 24, 1976

"Jessie's Grape Vine," The New York Courier , 1970

"Jessie's Grape Vine," The New York Courier , 1971

Monograph, How to Become a Union Camerawoman: Film-Videotape , New York: L.J., 1977

Series: Box 1 Script Drafts, undated

Higher Ground (aka Will) first draft, undated

Twice as Nice shooting script for party scene, undated

Series: Box 1 Film Publicity, 1977-1988

Athens International Film Festival, 1981

Program, Third Annual New York Black Film Festival, 1977

Twice as Nice, undated

Will, undated

Series: Box 2 Directing Workshop for Women, 1980-1982

Cast/Crew lists, undated

Correspondence, September 1980  - March 1982

Press release, Escape Artists, 1982

Production and shooting schedule, February 1982

Programs, Escape Artists, 1982

Record of Insurance, undated

Series: Box 2 20 West,  1983-1991

Calendars, September 1985  - May 1990

Clippings, 1983-1991 , undated

Correspondence from 20 West, 1983-1984

Correspondence from 20 West, 1985

Correspondence from 20 West, 1986

Correspondence from 20 West, 1987-1988

Correspondence from 20 West, 1989-1990

Correspondence from 20 West, undated

Correspondence to 20 West, 1985

Correspondence to 20 West, 1986-1987

Correspondence to 20 West, 1988-1989

Correspondence to 20 West, 1990-1991

Correspondence to 20 West, undated

Publicity, 1983-1991 , undated

Screening contracts, May 1985  - September 1990

Series: General Clippings, 1975-1991

Box 2 General clippings, 1975

Box 4 General clippings, 1975 , oversize

Box 2 General clippings, 1976

Box 4 General clippings, 1976 , oversize

Box 2 General clippings, 1977

General clippings, 1978

General clippings, 1979

General clippings, 1980

General clippings, 1981

General clippings, 1983

Box 4 General clippings, 1983 , oversize

Box 2 General clippings, 1984

Box 2 General clippings, 1985

Box 4 General clippings, 1985 , oversize

Box 2 General clippings, 1986

Box 4 General clippings, 1987 , oversize

Box 2 General clippings, 1991

Box 2 General clippings, undated

Series: Box 3 Photographs, undated

Jessie Maple, undated

Jessie Maple & Richard Heimann, undated

Jessie Maple on the set of Twice as Nice , undated

Jessie Maple with Leroy Patton, undated

Jessie Maple posing with three people in front of theatre, undated

Jessie Maple with film camera, undated

Jessie Maple walking with unidentified woman, undated

Jessie Maple holding Carl B. Stokes album, undated

Series: Grant Files and Proposals, 1977-1992

Behind the Camera book proposal, 1977 [?]

CETA Media Works grant materials, 1977

City of New York Department of Cultural Affairs Grants, 1984

City of New York Department of Cultural Affairs Grants, 1985

City of New York Department of Cultural Affairs Grants, 1986

City of New York Department of Cultural Affairs Grants, 1987

City of New York Department of Cultural Affairs Grants, 1988

City of New York Department of Cultural Affairs Grants, 1989

Grant Proposal for Black Economic Power , 1978

Guggenheim grant application, undated

Media Arts Program grant proposal for Twice as Nice , 1986-1987 

New York State Council of the Arts grants, 1986

New York State Council of the Arts grants, 1987

New York State Council of the Arts grants, 1988

New York State Council of the Arts grants, 1989

New York State Council of the Arts grants, 1990

New York State Council of the Arts grants, 1991

New York State Council of the Arts grants, undated

Series: Box 3 Discrimination Lawsuits, 1975-1985 

Lawsuit documents, 1975 

Lawsuit documents, 1976 

Lawsuit documents, 1977 

Lawsuit documents, 1978 

Lawsuit documents, 1979 

Lawsuit documents, 1980-1985 

Series: Miscellaneous

Box 4 Calendar, Harlem Winters, 1985

Box 3 Copyright form, Twice as Nice, 1985

Essay, "Black Economic Power: Reality or Fantasy?" by Leroy Patton, undated

List, "African American Women's Feature Films," undated

Names and address list, undated

Box 4 Recording Log, Twice as Nice, undated

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