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Ford, J. mss., 1906-1976

Summary Information

Repository
Lilly Library (Indiana University, Bloomington)
Lilly Library
Indiana University
1200 E. Seventh St.
Bloomington, IN 47405-5500
Phone: 812-855-2452
Fax: 812-855-3143
Email: liblilly@indiana.edu

Creator
Ford, John, 1895-1973

Title
Ford, J. mss., 1906-1976

Collection No.
LMC 1378

Extent
7,000 items

Language
Materials are in English

Abstract
Consists of the correspondence, papers, and memorabilia of motion picture director John Ford, 1895-1973.

Access Restrictions

This collection is open for research.

Biographical Note

Ford was christened Sean Aloysius Feeney but changed his name after joining his older brother Francis, who had taken the name Ford, in Hollywood in 1913. John Ford began his motion picture career as an actor, stunt man, and prop man. In 1917 he became a director on the film The Tornado and directed over 130 films during his lifetime. Ford married Mary McBryde Smith in 1920 and they had two children: Patrick Roper born in 1921 and Barbara Nugent born in 1922.

Ford's first great success, The Iron Horse in 1924, came after directing about fifty other films, chiefly Westerns. From 1927 to 1939 Ford directed more than thirty films, only one of which was a Western. He won his first Academy Award during this period for The Informer (1935), a film about the 1922 Irish rebellion. His next Academy Awards were for The Grapes of Wrath (1940) and How Green Was My Valley (1941). Two documentaries that he directed during World War II, The Battle of Midway and December 7th, also received Oscars. His last Academy Award was for another of his Irish films The Quiet Man (1952).

An enthusiastic member of the Naval Reserve, Ford formed the Naval Field Photographic Reserve in early 1940. This unit was assigned to the Office of Strategic Services and Ford was ordered to report to Washington on September 11, 1941, just after completing How Green Was My Valley. He spent the war years doing documentary work in the Pacific, North Africa, Europe and India.

In February 1945 Ford took a leave of absence from the Navy to film They Were Expendable. He used his salary received from that picture to create the Field Photo Home, a club for the veterans of the Field Photographic Unit. He ended his naval duties on September 28, 1945.

The following March Ford and producer Merian C. Cooper formed Argosy Productions. This company produced eight pictures, seven of which were directed by Ford. Among these were three of Ford's most famous and commercially successful films--the trilogy of Cavalry stories: Fort Apache, She Wore a Yellow Ribbon, and Rio Grande. Ford continued making films throughout the 1950s and early 1960s. His last film was 7 Women in 1966. Two documentaries about Ford and his work were made in 1971: The American West of John Ford and Peter Bogdanovich's Directed by John Ford. The former was co-produced by Ford's grandson Daniel Sargent Ford. A few months before his death Ford received the American Film Institute's First Annual Life Achievement Award. He died on August 31, 1973.

Arrangement

The collection is organized into the following series: Correspondence; Scripts and Production Materials; Legal Materials; Miscellaneous; Photographs and Stills; Oversize; Tapes; Bound Volumes; Films; and Additions.

Scope and Content Note

There are ca. 2500 items in the correspondence files, 1906-1976, which are arranged chronologically. Most of the material dates from the late 1930s through the 1960s. The correspondence is chiefly to or from Ford and concerns both his personal and his professional lives.

The scripts and production materials, 1915-1971, include items from the early silent movies, television programs, virtually all of Ford's films since 1940, and the documentary The American West of John Ford. Typical of the materials found in these files are scripts and script changes, cast and staff lists, production reports, shooting schedules, background materials, budgets, statements of accounting, publicity, etc.

The legal materials, 1917-1974, are divided into two categories. First are the general materials, filed chronologically, which include studio contracts, materials about the formation and operation of production companies, and non-film matters. Second are files relating to individual films, arranged chronologically by production date rather than by the date of the item.

The miscellaneous section contains materials concerning the Academy of Motion Picture Arts & Sciences; addresses; the Bel Air Association; the Field Photo Home; financial materials, both corporate and personal; membership cards and awards; Navy materials; passport information; clippings and articles; sheet music; transcripts and summaries of interviews conducted by Dan Ford in preparation for his biography of John Ford, Pappy: The Life of John Ford (Englewood Cliffs, N.J.: Prentice-Hall, Inc., 1979); writings by other people; the Young Men's Temperance and Social Purity Association and Emerald Bay Yacht Club correspondence, 1936-1957; and an index to the collection prepared by Dan Ford and the notebook pages from which manuscripts were removed. The latter frequently contain notes by Dan Ford.

There are about 3,500 photographs and movie stills in the collection. Over forty-five of Ford's films are represented by photographs, including several silents. There are also stills from other people's movies; photographs of family members and friends; Ford's 1932 trip to Asia; military photographs; photos from World War II; portraits of John Ford and of other people; pictures of boats, the Field Photo Home and of Ward Bond's funeral at the Home; and other miscellaneous photographs.

Tape recordings in the collection are of interviews conducted by Dan Ford with John Ford, as well as family, friends, and associates of John Ford.

The films in the collection are The Lost Patrol (1934), The Informer (1935), Stagecoach (1939), The Long Voyage Home (1940), How Green Was My Valley (1941), The Battle of Midway (1942), In Memoriam: Manuel Quezon (ca. 1945), The Fugitive (1947), She Wore a Yellow Ribbon (1949), Wagon Master (1950), The Sun Shines Bright (1953), and an undated home movie. The home movie may not be used in its present format.

Additions continue many series in the original collection. They include correspondence from John Ford, Daryl Zanuck, members of the Ford family, and letters of condolence regarding John Ford's death; screenplays for What Price Glory and Sergeant Rutledge; original drafts and reviews of Dan Ford's biography of his grandfather, Pappy: The Life of John Ford; Mary Ford's Canteen Book, with signatures of celebrities and other friends of the Ford family; a Memorial Tribute Register, also with signatures; John Ford's original "Employee's Starting Card" identifying him as a Hollywood director; and John Ford's FBI file and Official Navy Records.

Note on Indexing Term - "Voyages and travels": Included in the collection are some naval materials. In 1945 Ford made They Were Expendable, a film about PT boats in the Pacific during WWII. Included in the collection are some notes about the film and PT boat maneuvers.

Additional Physical Form Available

Some audio materials have been reformatted for use in the repository only.

Related Material

The Lilly Library holds other collections related to John Ford. The largest of these is the Killanin mss. containing 358 items. These are photocopies of materials relating mostly to Ford's The Rising of the Moon which was produced by Four Provinces Productions. The Film mss. contains stills and publicity poses for Stagecoach and posters for The Long Gray Line, The Rising of the Moon, Sergeant Rutledge, Two Rode Together, Cheyenne Autumn and 7 Women . There is a separate collection pertaining to Four Men and a Prayer. In addition, the Lilly Library houses books pertaining to the life and work of John Ford.

See also the Ford, J. mss. II and Ford, J. mss. III , both at the Lilly Library.

Administrative Information

Acquisition Information
Acquired: 1982, 1983, 1986, 1989, 1994
Usage Restrictions
Prior arrangements are not necessary before coming to the Library, however, patrons from out of town are encouraged to communicate with the Library in advance of their visits to ascertain availability of materials.

Photocopying permitted only with permission of the Curator of Manuscripts, Lilly Library.

Preferred Citation
[Item], Ford, J. mss., Lilly Library, Indiana University, Bloomington, Indiana.
Processing Information
Processed by Lilly Library staff.

Completed in 1982


Series:
Correspondence

Files are arranged chronologically, but a partial list of correspondents arranged alphabetically is provided below.


Correspondents, A-D
  • View All (119)
  • Abbott, Harry P.
  • Adams, Nick
  • Aitken, William Maxwell
  • Alberti, Jules Robert
  • Allen, Elizabeth
  • Alphand, Herve
  • Amadori, Luis Cesar
  • Anderson, Lindsay Gordon
  • Andrews, Adolphus
  • Armour, Lester
  • Armstrong, George N.
  • Arnow, Maxwell
  • Arthur, Robert
  • Baker, Carroll
  • Baker, Hettie Gray
  • Baker, J. Edwin
  • Baker, Peter Gorton
  • Baker, Wilder Dupuy
  • Ball, Lucille
  • Bare, Richard L.
  • Barron, Carter Tate
  • Basevi, James
  • Baxter, James Phinney
  • Beaverbrook, baron
  • Beecher, William Gordon
  • Belafonte, Harry
  • Bellah, James Warner
  • Belli, Melvin Mouron
  • Benjamin, Bea
  • Berger, Clarence Quinn
  • Berggren, Noel David
  • Bergin, William Edward
  • Berkey, Russell Stanley
  • Bernstein, Marver Hillel
  • Bernstein, Nahum Amber
  • Birdwell, Russell J.
  • Bloomberg, Daniel J.
  • Blue, Rupert
  • Bluestone, George
  • Blumenberg, Hans C.
  • Boetticher, Budd
  • Bogart, Humphrey DeForest
  • Bogdanovich, Peter
  • Bogdanovich, Polly (Platt)
  • Bolton, Alfred Jack
  • Bond, Ward
  • Bradley, Omar Nelson
  • Brand, Harry
  • Brann, Louis Jefferson
  • Breen, Joseph Ignatius
  • Brewster, Ralph Owen
  • Broger, John Christian
  • Brooks, Richard
  • Brown, Harry Joe
  • Brown, Kathryn Frances (McGraw)
  • Brown, Ned
  • Brown, Sara Baird (Stroud)
  • Brownlow, Kevin
  • Bryant, Katherine (Potter) Cliffton
  • Brylawski, Fulton M.
  • Buck, Jules
  • Bulkeley, John Duncan
  • Burke, Arleigh Albert
  • Burke, Billie
  • Cagney, James
  • Caillet, Lucien
  • Campbell, George
  • Campbell, Robert Lord
  • Capra, Frank
  • Carey, Harry
  • Carey, Olive (Golden)
  • Carney, Robert Bostwick
  • Casey, William Joseph
  • Cavanaugh, John Joseph
  • Childs, Andrew L.
  • Christie, Julie Frances
  • Clancy, Carl Stearns
  • Clancy, Fog Horn
  • Clarey, Bernard Ambrose
  • Clifford, John David
  • Cohen, Wolfe
  • Cohn, Harry
  • Coll, Raymond H.
  • Collins, Seaborn P.
  • Connolly, Joseph E.F.
  • Considine, John William
  • Cooper, Dorothy (Jordan)
  • Cooper, Merian C.
  • Cotter, George Edward
  • Cowen, William Joyce
  • Crawford, Joan
  • Curtis, Carl Thomas
  • Curtis, Ken
  • Cushing, Edward Harvey
  • Dahl, Roald
  • Damon, Ralph Shepard
  • Darwell, Jane
  • Davis, Gary Corbett
  • De Mille, Cecil Blount
  • Defrees, Joseph Rollie
  • Del Rio, Dolores
  • Depinet, Ned E.
  • Devine, Andy
  • Dewar, Donald A.
  • Disney, Walt
  • Dixon, Thomas
  • Doering, Otto Charles
  • Donovan, James Britt
  • Donovan, Ruth (Rumsey)
  • Donovan, William Joseph
  • Douglas, Kirk
  • Dover, William B.
  • Dowdey, Clifford Shirley
  • Doyle, Adrian Malcolm Conan
  • Doyle, Austin K.
  • Duncan, Charles Kenney
  • Duncan, Sandy
  • Dunne, Philip
  • Durgin, Calvin Thornton

Correspondents, E-H
  • View All (108)
  • Eastman, George Lockwood
  • Edison, Charles
  • Edwards, Ralph Livingstone
  • Einfeld, Charles
  • Eisenstein, Sergei Mikahailovich
  • Engel, Samuel G.
  • Engle, Clair
  • Fairbanks, Douglas Elton
  • Farley, James Aloysius
  • Farrow, John Villiers
  • Fay, William Patrick
  • Feeney, Josephine
  • Fellers, Bonner Frank
  • Fernandez, Emilio
  • Ferrer, José Vicente
  • Fetchit, Stepin
  • Fier, Jack
  • Figueroa, Gabriel
  • Finucane, Charles Cecil
  • FitzSimmons, Charles
  • Flaherty, Vincent X.
  • Flynn, Emmett
  • Fonda, Henry
  • Force, Roland Wynfield
  • Ford, Barbara Nugent
  • Ford, Daniel Sargent
  • Ford, Francis
  • Ford, John
  • Ford, Mary McBryde (Smith)
  • Ford, Patrick Roper
  • Ford, Philip
  • Ford, Robert
  • Forrestal, James
  • Fowler, Gene
  • Francis, Irene
  • Frawley, Patrick J.
  • Freeman, Young Frank
  • Gable, Clark
  • Gallery, Daniel Vincent
  • Gary, Romain
  • Ghormley, Robert Lee
  • Gibson, Hoot
  • Gilpatric, Roswell Leavitt
  • Ginna, Robert Emmett
  • Githens, William French
  • Gleason, Jackie
  • Goldbeck, Wilis
  • Goldstone, Jules C.
  • Goldwater, Barry Morris
  • Goldwater, Richard M.
  • Goldwyn, Samuel
  • Gollings, Franklin O.A.
  • Goodman, Mort
  • Goodman, Steve
  • Goodrich, Annie Warburton
  • Gordon, Alex
  • Gordon, Michael
  • Gotlieb, Howard Bernard
  • Grace princess of Monaco
  • Graff, Robert D.
  • Graham, Sheilah
  • Grainger, James Ross
  • Grant, James Edward
  • Grant, Robert Allen
  • Grauman, Sid
  • Gregory, Donald Munson
  • Griffith, Beverly
  • Guinness, Sir Alec
  • Gussow, Mel
  • Hageman, Richard
  • Hale, Robert
  • Haley, Jack
  • Halsey, William Frederick
  • Hanna, Richard Thomas
  • Harris, Richard S.
  • Harshbarger, Helen Grace (Davie)
  • Hart, Henry
  • Hart, William Surrey
  • Hathaway, Henry
  • Hatswell, Donald
  • Hauck, Arthur Andrew
  • Hawkins, Jack
  • Hays, Will Harrison
  • Hayward, Chuck
  • Hayward, Leland
  • Healy, James A.
  • Heath, E. Percy
  • Hecht, Harold
  • Helfrich, Conrad Emile Lambert
  • Helm, Edith (Benham)
  • Henebry, John Philip
  • Hepburn, Katharine
  • Hepburn, Richard Houghton
  • Herschensohn, Bruce
  • Hickey, Robert Ferdinand
  • Hoch, Winton C.
  • Holden, William
  • Holdridge, Herbert Charles
  • Hope, Bob
  • Hopper, Hedda (Furry)
  • Hughes, Arthur Montague D'Urban
  • Hughes, Francis Massie
  • Hughes, Helen (Rooney)
  • Hughes, Rulon Stanley
  • Hull, Cordell
  • Hunter, Jeffrey
  • Hurley, Patrick Jay
  • Hurst, Brian Desmond

Correspondents, I-L
  • View All (52)
  • Ingersoll, Stuart Howe
  • Irvine, Dallas
  • Irving, Frederick Augustus
  • Ivens, Joris
  • Jaffe, Lou
  • Jarman, Claude
  • Jessel, George
  • Job, Thomas
  • Johnson, Edwin Carl
  • Johnson, Julian
  • Johnson, Louis Arthur
  • Johnson, Nunnally
  • Jones, Herbert A.
  • Jones, Stan
  • Joy, Jason S.
  • Kahanamoku, Duke Paoa
  • Kahane, Benjamin Bertram
  • Kalmus, Herbert Thomas
  • Kanin, Garson
  • Kelley, Arthur W.
  • Kellogg, Ray
  • Kenyon, Curtis
  • Killanin, baron
  • Killanin, Mary Sheila Cathcart (Dunlop)
  • Kimbel, William Anthony
  • Kirk, Alan Goodrich
  • Kirkland, David
  • Klein, Philip
  • Knecht, Peter D.
  • Knight, Arthur
  • Knopf, Edwin H.
  • Korda, Sir Alexander
  • Koshland, William A.
  • Kramer, Stanley
  • Kurosawa, Akira
  • Laemmle, Carl
  • Laemmle, Edward
  • Lake, Stuart Nathaniel
  • Lambert, Gavin
  • Lamour, Dorothy
  • Landy, George
  • Lawrence, Robert L.
  • Lee, Anna
  • Lemmon, Jack
  • LeRoy, Mervyn
  • Lew, Rose
  • Lewis, Cliff
  • Lichtman, Alexander
  • Lloyd, Richard Dafydd Vyvyan Llewellyn
  • Lombroso, Henry
  • Lorentz, Pare
  • Luce, Clare (Boothe)

Correspondents, M-P
  • View All (81)
  • MacArthur, Douglas
  • MacKenna, Kenneth
  • MacLeish, Archibald
  • Madden, Doreen
  • Madden, John Edward
  • Maguire, William Augustus
  • Maharg, John D.
  • Mahin, John Lee
  • Malden, Karl
  • Malige, Marcel E.
  • Malin, Patrick Murphy
  • Mankiewicz, Joseph Leo
  • Manziarly, Alexandre de
  • Markey, Gene
  • Marsh, Mae
  • Marshall, George Catlett
  • Mayo, Claude Banks
  • Mazurki, Mike
  • McBride, Joseph Pierce
  • McCain, John Sidney
  • McCarey, Leo
  • McCarthy, Frank
  • McCarthy, Joseph Jefferson
  • McCrea, Joel
  • McGowan, John P.
  • McGuinness, James Kevin
  • McIntyre, Robert B.
  • McKenna, Siobha ,n
  • McLaglen, Andrew Victor
  • McLaglen, Victor
  • McLendon, Gordon Barton
  • Mishkin, Leo
  • Monro, Charles Bedell
  • Monta, Rudolph
  • Montague, Anne (Cavendish)
  • Moon, Heran
  • Morgan, Frank
  • Morris, Michael
  • Morse, Mel
  • Moses, Vivian M.
  • Murnau, Friedrich Wilhelm
  • Murphy, George Lloyd
  • Natwick, Mildred
  • Neblett, Benjamin H.
  • Neilan, Marshall
  • Newberry, C. Bruce
  • Newman, Alfred
  • Newman, Robert V.
  • Nichols, Dudley
  • Niven, David
  • Nixon, Richard Milhous
  • North, Henry Ringling
  • Nugent, Frank Stanley
  • Nussbaum, Max
  • O'Brien, Edmond
  • O'Brien, George
  • O'Brien, Pat
  • O'Casey, Shivaun
  • O'Dea, Jimmy
  • O'Flaherty, Liam
  • Olivier, Sir Laurence Kerr
  • O'Neal, Ryan
  • O'Neill, Carlotta (Monterey)
  • O'Neill, Eugene Gladstone
  • Paine, Thomas Otten
  • Parker, Albert
  • Parrish, Robert
  • Parsons, Louella (Oettinger)
  • Patterson, Robert Porter
  • Pavan, Marisa
  • Peck, Gregory
  • Petrauskas, John
  • Pettebone, Jean
  • Peyton, Patrick Joseph
  • Pickens, Andrew Calhoun
  • Powell, Bonney M.
  • Power, Tyrone
  • Powers, Francis
  • Powers, James Ellis
  • Pramoj, Momwrajong Seni
  • Price, John Dale

Correspondents, R-T
  • View All (74)
  • Rackin, Martin Lee
  • Radford, Arthur William
  • Ramsey, Logan Carlisle
  • Reagan, Ronald
  • Reid, Cliff
  • Reinecke, Edwin
  • Reinhardt, John
  • Rich, Frances
  • Rissient, Pierre
  • Rittenberg, Saul Nathan
  • Robinson, Lennox
  • Rogers, Ted
  • Romanoff, Michael
  • Rondi, Gian Luigi
  • Roos, Allan
  • Roosevelt, James
  • Roper, Elmo
  • Saal, William M.
  • Sanders, Harry
  • Schary, Dore
  • Schein, Harry
  • Schickel, Richard
  • Schulberg, Budd
  • Seaton, George
  • Selznick, David Oliver
  • Shakespeare, Frank Joseph
  • Shapiro, Victor Mansfield
  • Shavelson, Melville
  • Shaw, Frank L.
  • Shaw, Hervey S.
  • Sheehan, Howard J.
  • Sheehan, Winfield R.
  • Shields, Paul Vincent
  • Shurlock, Geoffrey Manwaring
  • Siciliano, Italo
  • Sidney, George
  • Siegel, Sol C.
  • Sinclair, Gregg Manners
  • Sinclair, Upton Beall
  • Sistrom, William
  • Skouras, Spyros Panagiotes
  • Sloane, Paul
  • Small, Edward
  • Smith, Bernard
  • Smith, Wingate
  • Speaks, John Charles
  • Spencer, Frederick A.
  • Spingold, Nathan Breiter
  • Sprague, Albert Tilden
  • Stallings, Laurence
  • Stanwyck, Barbara
  • Steinbeck, Elaine (Scott)
  • Sterne, Meta C.
  • Stevens, George
  • Stewart, James Maitland
  • Stout, Archie
  • Strickling, Howard
  • Struble, Arthur Dewey
  • Sullivan, John Lawrence
  • Sutker, Victor
  • Swope, Herbert Bayard
  • Sylvester, Arthur
  • Symington, Stuart
  • Taft, Robert Alphonso
  • Talley, Truman Hughes
  • Thalberg, Irving Grant
  • Thomas, Lowell Jackson
  • Thorpe, Jim
  • Tobin, John Everard
  • Toland, Gregg
  • Tolstoy, Ilia A.
  • Totman, Fred N.
  • Towers, Constance
  • Tracy, Louise (Treadwell)

Correspondents, U-Z
  • View All (51)
  • Ubans, Juris Konrads
  • Umbreit, Kenneth Bernard
  • Vanderbilt, William Henry
  • Vardaman, James Kimble
  • Vaughn, Robert
  • Vidor, King Wallis
  • Wald, Jerry
  • Walsh, Raoul
  • Wanger, Walter
  • Warner, Jack Leonard
  • Warren, Earl
  • Wasserman, Lew Robert
  • Wasson, George F.
  • Watkins, Arthur Thomas Levi
  • Watt, Milt
  • Watts, Richard
  • Wayne, Esperanza (Baur)
  • Wayne, John
  • Wayne, Michael A.
  • Wead, Frank Wilber
  • Webb, Robert A.
  • Wedemeyer, Albert Coady
  • Wellman, William Augustus
  • Weltner, George
  • Wexley, John
  • Whitney, Cornelius Vanderbilt
  • Whitney, Eleanor (Searle)
  • Widmark, Richard
  • Willebrandt, Mabel (Walker)
  • Willoughby, Charles Andrew
  • Wilson, John Cree
  • Withrow, James Renwick
  • Wood, George A.
  • Wood, Samuel Grosvenor
  • Woods, Thomas Frederic Mackie
  • Wootten, William Patrick
  • Wright, Loyd Earl
  • Wurtzel, Harry L.
  • Wurtzel, Sol M.
  • Yadoff, Oleg
  • Yarnell, Harry Ervin
  • Yates, Herbert John
  • Yost, Robert M.
  • Zacharias, Ellis Mark
  • Zachary, George J.
  • Zanuck, Darryl Francis
  • Zanuck, Richard Darryl
  • Ziffren, Lester
  • Zimbalist, Sam
  • Zinneman, Fred
  • Zumwalt, Elmo Russell

Box 1 1906-1946 

Box 2 1947-1957 

Box 3 1958-1976, Undated 

Series: Box 3 Scripts and Production Materials

Contains materials for films and television programs, 1915-1971, directed by Ford, unless otherwise indicated.

Arranged chronologically.


Folder 37 Sunset Land, 1915 

[not directed by Ford]

Continuity and subtitles; synopsis, list of locations


Folder 38 The Brain Specialist, 1916 

[not produced?]

Synopsis


The Doctor's Advice, 1916 

[not produced?]


Inspiration, 1916 

[not produced?]

Synopsis


Folder 39 #2442, 1917 

[directed by Francis Ford]

Sets; notes concerning sets


Folder 40 Cheyenne's Pal, 1917 

Continuity and subtitles


Folder 41 Bucking Broadway, 1917 

Continuity and subtitles; list of locations


Folder 42-43 Wild Women, 1918 

Continuity and subtitles (2); list of locations


Folder 44 The Scarlet Drop, 1918 

Continuity and subtitles; list of locations


Folder 44 The Untamed, 1918 

Printed story and synopsis


Folder 45 The Rustlers, 1919 

Continuity and subtitles; list of locations


Folder 46 A Gun Fightin' Gentleman, 1919 

Story


Folder 47 Marked Men, 1919 

Continuity and subtitles; list of locations


Folder 47 The Sheriff of Wasco, 1919 

Memo, with synopsis


Folder 48 Just Pals, 1920 

Subtitles


Folder 48 The Man of God, 1921? 

Synopsis


Folder 49 The Face on the Barroom Floor, 1923 

Synopsis


Folder 50 The Iron Horse, 1924 

Location newsletters


Folder 51 3 Bad Men, 1926 

Titles; publicity


Folder 52 Four Sons, 1928 

Miscellaneous comments by W.R. Sheehan; title suggestions; notes in Ford's hand


Folder 53 Strong Boy, 1929 

Scenario


Folder 54 Up the River, 1930 

Script, pp. 48-60 only; continuity; cast list


Folder 54 Men Without Women, 1930 

Notes in JF's hand


Folder 55 Seas Beneath, 1931 

Script


Folder 56 The Brat, 1931 

Script


Folder 57 The Lost Patrol, 1934 

Suggestions for cast; summary of earnings


Folder 57 Judge Priest, 1934 

Screenplays (2)


Box 4
Folders 1-2

The Informer, 1935 

Script; partial script; summary of earnings; accounting of earnings


Folder 3 Prisoner of Shark Island, 1936 

Cast list


Folder 3 Mary of Scotland, 1936 

Script


Folder 4 The Plough and the Stars, 1936 

Script


Folder 5 Wee Willie Winkie, 1937 

Script


Folder 6 The Hurricane, 1937 

Script


Folder 7 Four Men and a Prayer, 1938 

Script


Folder 8 Submarine Patrol, 1938 

Script; cast and staff lists


Folder 9-10 Stagecoach, 1939 

Script; cast and staff lists; budget estimates; statements of accounting


Folder 11-13 Young Mr. Lincoln, 1939 

Scripts (3)


Folder 14 Drums Along the Mohawk, 1939 

Script; cast and staff lists


Folder 15 The Grapes of Wrath, 1940 

Staff and cast lists


Folder 16-17 The Long Voyage Home, 1940 

Script changes; foreword and epilogue; set list; crew list; musical score


Folder 18 Tobacco Road, 1941 

Script; script changes


Folder 19 How Green Was My Valley, 1941 

Script


Folder 20 The Battle of Midway, 1942 

Dialogue; continuity


Folder 21 Code of the Navy, ca. 1942 

(presented by the U.S. Naval Radio and Signal School) Cast list; continuity


Folder 22 They Were Expendable, 1945 

Notes and PT maneuvers

See also: Oversize 2


Folder 23 My Darling Clementine, 1946 

Story conference


Folder 24 The Fugitive, 1947 

Shooting schedule; cutting changes; credits; earnings; statement of production costs


Folder 25-26 The Family, 1947  [unrealized project]

Synopsis; background material; scripts (6)


Box 5
Folder 1-5

The Family (cont'd)

Folder 6 Revenge, 1947  [unrealized project]

Treatment


Folder 7-9 Fort Apache, 1948 

Script (lacks 2 pp.); printed story "Massacre"; notes; music lyrics; script changes; shooting schedule; wardrobe plot; staff and crew lists; continuity; budget; earnings


Folder 10-14 3 Godfathers, 1948 

Scripts (4); notes; crew list; travel schedule; budget notes; publicity


Folder 15 Mighty Joe Young, 1949  (directed by Ernest B. Schoedsack; co-produced by John Ford and Merian C. Cooper)

Staff sheet; summary of earnings


Folder 16-20 She Wore a Yellow Ribbon, 1949 

Scripts (3); printed stories (2); script notes; background materials; staff and cast list; music notes; credits; budget; film earnings


Folder 21 Pinky, 1949  (directed by Elia Kazan)

Script; staff list


Folder 22 When Willie Comes Marching Home, 1950 

Shooting schedule; list of retakes and added scenes


Folder 23-25 Wagon Master, 1950 

Treatment; lyrics and music notes; shooting schedule; staff and cast lists; daily production reports; publicity; budget estimates; earnings


Folder 26-28 Rio Grande, 1950 

Scripts; story; cast and crew lists; daily production report; background notes; shooting schedule; accounting statement; film earnings


Folder 29-31 This is Korea, 1951 

Scripts (4); cutting continuity; cameraman's dope sheets; notes; publicity; sales report


Folder 32-33 What Price Glory, 1952  [play and film]

Script for play; filmscript story conference; cast list; itinerary for play; daily production report; JF notes; memo re: music; publicity for play


Folder 34-35 The Quiet Man, 1952 

Script notes; dialogue; narration; background material; lyrics and music notes; continuity (for the fight scene); credits; staff list; travel and shooting schedules; casting notes; accounting statements


Box 6
Folder 1

The Demi-Gods, 1952  [unrealized project]

Screenplay suggestions


Folder 2-4 The Sun Shines Bright, 1953 

Treatment; script; story notes; shooting schedule; script changes; cast list; budget estimate


Folder 5-7 Mogambo, 1953 

Partial script; shooting schedules; wardrobe plots; cast and crew lists; pre-filming survey; inoculations information


Folder 8-10 The Valiant Virginians, 1954  [unrealized project]

Story notes; story continuity; story line; continuity outlines (2); script


Folder 11-12 The Long Gray Line, 1955 

Script changes; background material; breakdown; schedule; casting interviews list; statement of accounting


Folder 13-14 Mister Roberts, 1955 

Script; script changes; treatment; script notes; daily production reports


Folder 15-17 Jane Wyman Presents the Fireside Theatre. The Bamboo Cross, 1955  [television program]

Scripts (4)


Folder 18 The Screen Directors' Playhouse. Rookie of the Year , 1955  [television program]

Cast list; production budget


Folder 19-22 The Searchers, 1956 

Scripts (2); synopsis; background material; story and production notes; cast list; credits; shooting schedule; daily production reports; statements of accounting


Folder 23-24 The Wings of Eagles, 1957 

Script; schedule; assistant director's reports; preview report; publicity


Folder 25-26 The Rising of the Moon, 1957 

Script (for The Rising of the Moon segment only); film treatment (for The Rising of the Moon segment only); suggested treatment of continuity; schedule; publicity; statements of accounting


Folder 27-30 The Last Hurrah, 1958 

Script; incomplete script (pp. 125-225 only); synopsis; script notes; cast list; budget; shooting schedule; assistant director's daily reports; statements of accounting; invoices; accounting reports.

See also: Bound volume 1


Folder 31 Gideon of Scotland Yard, 1959 

Cast and crew list; cost of production; statements of accounting


Folder 32-33 Korea, 1959 

Scripts (2 - "action outlines"); background material; press release


Folder 34-35 The Horse Soldiers, 1959 

Script; dialogue notes; background materials; crew lists; cast and credits; shooting schedule; budget; news releases; statements of accounting


Box 7
Folder 1

Cheyenne Massacre/Last Frontier, 1959  [not produced?]

Screenplay by Ted Sherdeman; memo from Sherdeman to Sylvan Simon


Folder 2 Taiwan - The Island Fortress, 1959  [unrealized project]

Script; script breakdown


Folder 3 Wagon Train. The Colter Craven Story , 1960  [television program]

Script; script breakdown


Folder 4-5 Sergeant Rutledge, 1960 

Scripts (2); staff and cast list; daily production reports


Folder 6 The Alamo, 1960  [directed by John Wayne]

Script


Folder 7-8 [The Creighton Story], ca. 1960  [unrealized project?]

Scripts (2)


Folder 9-11 Two Rode Together, 1961 

Scripts (2); revisions; synopsis; treatment (incomplete); call to travel to location; budget; statement of accounting audits


Folder 12-14 The Man Who Shot Liberty Valance, 1962 

Scripts (2); dialogue continuity; staff and crew list; estimated cost; shooting schedule; projection budget; cast list; billing; preview report; foreign prospects reports; statements of accounting


Folder 15-16 Alcoa Premiere. Flashing Spikes, 1962  [television program]

Scripts (2); adaptation


Folder 17-19 How the West Was Won, 1962  [directed by Ford, George Marshall and Henry Hathaway]

Scripts - segments 1-3, segment 3, segment 4, segment 5 (2); cast and staff lists; schedule


Folder 20 The Pigeon That Took Rome, 1962  [directed by Melville Shavelson]

Story


Folder 21-23 Donovan's Reef, 1963 

Script; script fragments; background material; shooting schedule; projection costs; statement of accounting; audits; publicity campaign

See also: Bound volume 2


Folder 24-26 Cheyenne Autumn, 1964 

Script; incomplete script; script and production notes; location information; shooting schedule; budget changes; daily production reports; statements of accounts; audits


Box 8
Folder 1

Young Cassidy, 1965 

Main titles; script notes; shooting schedule


Folder 2-5 7 Women, 1966 

Scripts (2); script changes; story; daily progress reports; cast list; staff list; schedule; music work order; production budget; petty cash records; synopsis; preview report; statement of accounts

See also: Oversize 3


Folder 6 Vietnam! Vietnam! 1968 

Treatment


Folder 7 The Hellfighters, 1969  [directed by Andrew V. McLaglen]

Script


Folder 8-9 Chesty, 1970  [television program]

Scripts (2); shooting schedule


Folder 10 The American West of John Ford, 1971  [directed by Denis Sanders; co-produced by Dan Ford]

Schedule; budget; expense receipts


Folder 11 Alias Whispering White, n.d. 

Story


April Morning, n.d. 

Notes


Operation Seventy-Three, n.d. 

Story


Folder 12 Our Brother John, n.d. 

Outline of project


Folder 13 Slowsure, n.d. 

Treatment


Folder 14 Wits and the Woman. The Demon Dragon , n.d. 

Scenario


Series: Box 8 Legal Materials

These are divided into: 1) General legal materials, which include studio contracts, materials about the formation and operation of production companies, and non-film matters, arranged chronologically, 2) Individual films, arranged chronologically by production date, not by item date.


Folder 15-18 General, 1917-1974 

Folder 19 The Hurricane; My Darling Clementine; 3 Godfathers; Wagon Master ; Rio Grande, 1937-1950 

Folder 20 The Quiet Man, 1952 

Folder 21 The Sun Shines Bright; The Long Gray Line; Mister Roberts, 1953-1955 

Folder 22 The Searchers; The Rising of the Moon, 1956-1957 

Folder 23-24 The Last Hurrah, 1958 

Folder 25-26 Gideon of Scotland Yard, 1959 

Folder 27 Horse Soldiers; Wagon Train. The Colter Craven Story , 1959-1960 

Folder 28 Sergeant Rutledge, 1960 

Folder 29-30 Two Rode Together, 1961 

Folder 31 The Man Who Shot Liberty Valance; How the West Was Won; Donovan's Reef, 1962-1963 

Folder 32-33 Cheyenne Autumn, 1964 

Folder 34 Young Cassidy; 7 Women; Chesty, 1965-1970 

Series: Box 9 Miscellaneous

Folder 1 Academy of Motion Picture Arts and Sciences voting procedures, 1967-1968 

Folder 2 Addresses

Folder 3 Bel Air Association

Folder 4-32 Field Photo Home materials

Includes correspondence, minutes of meetings, financial statements and audits, addresses, newsletters, insurance policies, tax materials, etc.


Folder 33-46 Financial materials

Includes tax forms, expense receipts and records, audits, etc., both corporate and personal

See also: Bound volumes 5-15


Box 10
Folder 1-25

Financial materials (cont'd)

Folder 26-27 Membership cards and awards

See also: Oversize 5


Folder 28 Motion Picture Academy Controllers Christmas Party, 1964 

Folder 29-30 Navy materials

Includes personnel materials, orders, equipment lists, etc.


Folder 31 Office equipment

Folder 32 Passport information

Folder 33-39 Printed--Clippings

See also: Oversize 6


Box 11
Folder 1-3

Printed--Clippings (cont'd)

Folder 4-11 Printed--Articles

Folder 12 Sheet music

Folder 13 Studio materials

Rate book, telephone numbers

See also: Oversize 8


Folder 14-37 Tape transcripts and summaries of interviews conducted by Dan Ford.

Includes Elizabeth Allen, Mark Armistead, James Warner Bellah, Bea Benjamin, Katherine Cliffton Bryant; Harry Carey, Jr., Olive Carey, William Clothier, Ken Curtis, Cecil de Prita, Joanne Dru, Philip Dunne, Allan Dwan, Josephine Feeney, Henry Fonda, John Ford, Mary Ford, Phil Ford, and Ben Goetz


Box 12
Folder 1-19

Tape transcripts (cont'd)

Includes Chuck Hayward, Katharine Hepburn, Winton Hoch, Frank Hotaling, Ace Holmes, Lefty Hough, Ben Johnson, Nunnally Johnson, Anna Lee, John Lee Mahin, Roddy McDowall, Lee Marvin, George O'Brien, Robert Parrish, Wingate Smith, James Stewart, John Wayne, Albert Wedemeyer, Terry Wilson


Folder 20 Writings--by other people

Simms, Jay. Either End of the Gun
Welch, Patrick. The Gombeen Man; A play by Patrick Welch


Folder 21 YMPTASPA and Emerald Bay Yacht Club correspondence, 1936-1957 

Folder 22-32 Index and notebook pages.

Index of collection prepared by Dan Ford; notebook pages from which manuscripts were removed


Box 13-15 Index and notebook pages (cont'd)

Series: Box 16 Photographs and Stills

Boxes 16 - 24 contain photographs and stills from John Ford films and television programs, arranged by production date, followed by the number of stills.

Boxes 25 - 27 contain stills from non-Ford films and personal photographs.


Folder 1 Silents - Unidentified

(34)


Folder 2 Three Mounted Men, 1918 

(1)


Folder 3 Outcasts of Poker Flat, 1919 

(5)


Folder 4 Marked Men, 1919 

(2)


Folder 5 Prince of Avenue A, 1920 

(1)


Folder 6 North of Hudson Bay, 1923 

(44)


Folder 7 Four Sons, 1928 

(6)


Folder 8 Seas Beneath, 1931 

(3)


Folder 9 The Brat, 1931 

(2)


Folder 10 Dr. Bull, 1932 

(1)


Folder 11 The Informer, 1935 

(7)


Folder 12 The Plough and the Stars, 1936 

(8)


Folder 13 The Hurricane, 1937 

(8)


Folder 14 Four Men and a Prayer, 1938 

(1)


Folder 15 The Grapes of Wrath, 1940 

(3)


Folder 16 The Long Voyage Home, 1940 

(8)


Folder 17 Tobacco Road, 1941 

(12)


Folder 18 How Green Was My Valley, 1941 

(30)


Folder 19 My Darling Clementine, 1946 

(12)


Box 17 The Fugitive, 1947 

(131)


Box 18 Fort Apache, 1948 

(160)


Box 18a
Folder 1-2

3 Godfathers, 1948 

(31)


Folder 3 She Wore a Yellow Ribbon, 1949 

(15)


Folder 4-6 Wagon Master, 1950 

(55)


Box 19
Folder 1-2

Rio Grande, 1950 

(58)


Folder 3 What Price Glory [film], 1952 

(12)


Folder 4 What Price Glory [stage], 1952 

(12)


Folder 5-7 The Quiet Man, 1952 

(75)


Folder 8-9 The Sun Shines Bright, 1953 

(75)


Box 20
Folder 1

Mogambo, 1953 

(26)


Folder 2-14 The Long Gray Line, 1955 

(386)


Box 21
Folder 1

Jane Wyman Presents the Fireside Theatre. The Bamboo Cross, 1955 

(1)


Folder 2-5 Mister Roberts, 1955 

(188)


Folder 6-7 The Searchers, 1956 

(37)


Box 22
Folder 1-3

The Wings of Eagles, 1957 

(89)


Folder 4-5 The Rising of the Moon, 1957 

(117)


Folder 6 The Last Hurrah, 1958 

(21)


Folder 7-9 Gideon of Scotland Yard, 1959 

(151)


Box 23
Folder 1

Korea, 1959 

(22)


Folder 2-4 The Horse Soldiers, 1959 

(101)


Folder 5-9 Two Rode Together, 1961 

(264)


Box 24
Folder 1

The Man Who Shot Liberty Valance, 1962 

(75)


Folder 2 Donovan's Reef, 1963 

(31)


Folder 3 Cheyenne Autumn, 1964 

(45)


Folder 4 7 Women, 1966 

(34)


Folder 5-7 Stills for unidentified movies

(76)


Box 25
Folder 1

Other peoples' movie stills

Folder 2-10 Personal: Family and friends

See also: Oversize 9


Box 26
Folder 1

Asian trip

Folder 2 Military photos

Folder 3 WWII

Folder 4-5 Portraits--John Ford

See also: Oversize 10


Folder 6 Portraits--Other people

See also: Oversize 11


Box 27
Folder 1

Boats

See also: Oversize 12


Folder 2 Field Photo Home

See also: Oversize 13


Folder 3 Field Photo Home: Ward Bond funeral

Folder 4-6 Miscellaneous

See also: Oversize 14, Bound volume 17


Series: Box 1-16 Oversize

Box 1 (Oversize) Correspondence

Mr. & Mrs. Edward Small to John and Mary Ford. n.d. (card)


Box 2 (Oversize) Scripts and production materials

They Were Expendable--Story board, 11 items


Box 3 (Oversize) Scripts and production materials

7 Women--Accounts


Box 4 (Oversize) Miscellaneous

Field Photo Home--Zoning map


Box 5 (Oversize) Miscellaneous

Membership cards and awards--American Legion citation


Box 6 (Oversize) Miscellaneous

Printed--Clippings


Box 7 (Oversize) Miscellaneous

Printed--Articles


Box 8 (Oversize) Miscellaneous

Studio materials--Telephone numbers


Box 9 (Oversize) Photographs

Family and friends


Box 10 (Oversize) Photographs

Portraits--John Ford


Box 11 (Oversize) Photographs

Portraits--Other people


Box 12 (Oversize) Photographs

Boats


Box 13 (Oversize) Photographs

Field Photo Home


Box 14 (Oversize) Photographs

Miscellaneous


Box 15 (Oversize) Academy Award (Oscar) for Best Director: The Grapes of Wrath (1940) 

Box 16 (Oversize) Academy Award (Oscar) for Best Director: How Green Was My Valley (1941) 

Series: No Box Tapes

Audio tapes of interviews conducted by Dan Ford. Names of interviewees and some of the topics discussed are listed after the tape numbers.


Tapes 1-2: Mark Armistead

Tapes 3-4: James Warner Bellah (side 1 only of Tape 4)

Tapes 5-6: Katherine (Potter) Cliffton Bryant

Tapes 7-11: Harry Carey (side 1 only of Tape 11)

Tapes 11-12: Olive (Golden) Carey (side 2 only of Tape 11)

Tape 13: William Clothier (side 1 only)

Tape 14: Joanne Dru

Tape 15: Philip Dunne

Tape 16: Allan Dwan

Tapes 17-18: Henry Fonda

Tapes 19 Barbara Nugent Ford

side 1: Gossip, social

side 2: Mr. Roberts


Tape 20 Barbara Nugent Ford (side 1 only)

Tape 20 John Ford

side 2: Hurricane, Tobacco Road, Wee Willie Winkee


Tape 21 John Ford

side 1: Portland, Early years

side 2: Early years


Tape 22 John Ford

side 1: How Green Was My Valley, Merian C. Cooper

side 2: Stagecoach, Wanger


Tape 23 John Ford

side 1: Stagecoach, She Wore a Yellow Ribbon

side 2: Rio Bravo, The Searchers, Last Hurrah, Maureen O'Hara


Tape 24 John Ford

side 1: Harry Cohn, Mayer, Navy, Grotsky

side 2: Navy, Europe, Midway


Tape 25 John Ford

side 1: Westerns, She Wore a Yellow Ribbon

side 2: Westerns, Ft. Apache, She Wore a Yellow Ribbon


Tape 26 John Ford

side 1: Monument Valley, Men without Women , Nichols, Lost Patrol

side 2: Nichols, O'Neill, The Long Voyage Home


Tape 27 John Ford

side 1: Early years, John Wayne, Lincoln, 3 Bad Men, Quiet Man

side 2: Quiet Man, Yates, How Green Was My Valley, Grapes of Wrath, Young Mr. Lincoln, Zanuck


Tape 28 John Ford

side 1: Frank Nugent, Stagecoach, Ft. Apache

side 2: Ft. Apache


Tapes 29-30: John Ford

Iron Horse


Tape 31 John Ford

side 1: Directing, Goldwyn, acting

side 2: Acting


Tape 32 John Ford

side 1: Midway, Burma, Stillwell

side 2: They Were Expendable, My Darling Clementine


Tape 33 John Ford

side 1:Early years, Portland, Planned Parenthood, The Informer, directing debut

side 2: Q & A Early years


Tape 34 John Ford

side 1: Ward Bond, The Informer

side 2: The Informer, The Rising of the Moon, The Grapes of Wrath


Tape 35 John Ford (side 2 is blank)

Iron Horse


Tape 36 John Ford (side 2 is blank)

They Were Expendable


Tape 37 John Ford

side 1: Ward Bond

side 2: Ward Bond, Cheyenne Autumn


Tape 38 John Ford (side 2 is blank)

Alamo, Horse Soldiers, Korea


Tape 39 John Ford

side 1: John Wayne

side 2: John Wayne, acting


Tape 40 John Ford (side 1 only)

Mogambo, Gable, directors, They Were Expendable , Valentino


Tape 40 Katharine Hepburn (side 2 only)

Tape 41 Mary Ford

side 2: Tom Mix


Tape 42 Mary Ford

side 1: Araner

side 2: Araner, war years


Tape 43 Mary Ford

War years


Tapes 44-45: Mary Ford (side 2 of Tape 44 is blank)

Tape 46 Ben Goetz (side 1 only)

Tape 46 Philip Dunne (side 2 only)

Tapes 47-48: Chuck Hayward (side 2 of Tape 48 is blank)

Tapes 49-51: Katharine Hepburn

Tapes 52-53: Frank Hotaling (side 2 of Tape 53 is blank)

Tapes 54-58: Lefty Hough (sides 2 of Tapes 54 and 58 are blank)

Tapes 59-60: Ben Johnson (side 2 of Tape 60 is blank)

Tape 61 Nunnally Johnson

Tape 62 Anna Lee

Tape 63 John Lee Mahin

Tapes 64-65: Lee Marvin

Tapes 66-69: George O'Brien (side 1 only of Tapes 66 and 68)

Tape 66: John Ford, Robert Arthur, et al. (side 2 only)

Tape 68: John Ford (side 2 only)

Tape 70 Robert Parrish

Tapes 71-72 Wingate Smith

Tapes 73-74: James Stewart

Tape 75 John Wayne

side 1: First contact with Ford in the 1920's

side 2: Stagecoach, use of Republic Writers' Quiet Man, problem at Republic


Tape 76 John Wayne

side 1: Bringing Ford to Republic, Merian C. Cooper, Victor McLaglen, Bolton

side 2: Ford on the Araner, Emerald Bay Yacht Club, WWII's effect on Ford, war experiences, They Were Expendable, Jim McGuinness, Another Republic Deal


Tape 77 John Wayne (side 2 is blank)

Ford's post-war politics, Ward Bond


Tape 78 John Wayne

side 1: Tobacco Road, Ward Bond, Bolton Mallard, Pedro Armendariz

side 2: Ford's social circle in Mexico and on the Araner, early friendship, They Were Expendable, Ward Bond, Robert Montgomery, Gene Markey


Tape 79 John Wayne

side 1: They Were Expendable, Spig Wead, Ford with actors vs. Hawks, Hathaway, Wellman, Huston

side 2: Working relations with Ford on later films, Man Who Shot Liberty Valance, Stagecoach


Tape 80 John Wayne

side 1: Later years, Merian C. Cooper, Jack Pennick, She Wore a Yellow Ribbon , Maureen O'Hara

side 2: The Alamo, sentiments on contemporary America


Tape 81 Albert Coady Wedemeyer

Tape 82 Terry Wilson

Series: No Box Bound Volumes

1. Scripts and production materials

The Last Hurrah: Accounts - General Ledger


2. Scripts and production materials

Donovan's Reef: Accounts - General Ledger


3-4. Miscellaneous

Field Photo Home: Financial Materials


5-15. Miscellaneous

Financial materials


16. Miscellaneous

Yacht log: The Araner, 1934-1948


17. Photographs

Miscellaneous: Brazil, l943-l944


Series: No Box Films

The films may not be used in present format


The Battle of Midway (1942 )

16 mm (1 reel)


The Fugitive (1947 )

16 mm (3 reels)


How Green Was My Valley (1941 )

16 mm (3 reels)

Ford pesonal print


In Memoriam: Manuel Quezon (ca. 1945 )

16mm and DVD


The Informer (1935 )

(2 reels)

"Mr. Ford"


The Long Voyage Home (1940 )

16 mm (3 reels)


The Lost Patrol (1934 )

16 mm (2 reels)

Skipper Ford's print


She Wore a Yellow Ribbon (1949 )

16 mm (3 reels)


Stagecoach (1939 )

16mm (3 reels)


The Sun Shines Bright (1953 )

16mm (3 reels)


Wagon Master (1950 )

16mm (3 reels)

"Ford personal print"


1 undated home movie

16 mm


1 silent film, Europe

16 mm


The Searcher

16 mm (3 reels)


Series: Additions

These additions reflect as closely as possible the arrangement of series in the original collection.


Subseries: Correspondence

Box 28
Folder 1

Memorandum from Navy Department. 1937 

Folder 2 Ford, John to Hauck, Arthur A. May 20, 1938 

Folder 3 Telegrams to John Ford. 1947-1969 

Folder 4 Zanuck, Daryl to Ford, John on Front and Center (When Willie Comes Marching Home). Jun. 9, 1949 

Folder 5 Ford, Patrick and Carroll to Ford, Dan. 1962-1964 

Folder 6 Ford, Patrick to Smith, Bernard. 1963 

(multiple copies)


Folder 7 Ford, Patrick and Carroll. 1965-1966 

Folder 6 "Auntie" to Ford, Dan. 1968 

Folder 9-12 Ford, Dan (from Vietnam) to "Pop and Carroll." [1968-1969?] 

(4 folders)


Folder 13 Conway, Mickey. 1969 

Folder 14 Worden, Hank to "Jack" (John Ford). Mar. 16, 1973 

Folder 15 Letters of condolence to Mary Ford (John Ford's death). 1973 

Folder 16 Telegrams of condolence to Mary Ford (John Ford's death). 1973 

Folder 17 Brown, Jim (NBC News) to Feeney, Josephine. Dec. 28, 1973 

Folder 18 Devine, Andy. Sept. 5, 1973 

Folder 19 Reagan, Ronald. Sept. 6, 1973 

Folder 20 General correspondence. 1973 

Folder 21 Anderson, Lindsay. 1975-1992 

Folder 22 "Michael" (Morris, 3rd Baron Killanin). 1976-1988 

Folder 23 Ford, Patrick and Caroll. 1978-1979 

Folder 24 Webb, James H. 1981-1982 

Folder 25 Bogdanovich, Peter. 1985-1991 

Folder 26 Parrish, Robert. 1991 

Folder 27 Hill, Walter. 1993 

Folder 28 Houghton, Katherine. Apr. 21, 1995 

Folder 29 General, 2006,  undated 

Folder 30 Ford, Patrick to "Grampy" (John Ford), undated 

Subseries: Scripts and Production Materials

Box 28
Folder 31

Front and Center (When Willie Comes Marching Home). Jun. 4, 1949, 

Final shooting script


Folder 32 Charmaine (What Price Glory). Sept. 20, 1951, 

Final script


Folder 33 What Price Glory. Nov. 20, 1951, 

Final shooting script


Folder 34 The Sun Shines Bright. Jul. 15, 1952, 

First draft


Folder 35 Captain Buffalo (Sergeant Rutledge). Jul. 8, 1959, 

Final script


Folder 36 The American West of John Ford. Air: Dec. 5, 1971, 

Folder 37 A Salute to John Ford. March 29, 1973, 

Final draft


Subseries: Photographs

Box 28
Folder 38

John Ford

Folder 39 John Ford "Portraits"

Folder 40-42 John Ford and others

Folder 43 Ford family

Folder 44 John Wayne

Folder 45 Others

Folder 46 Avaner: Catalina – Honolulu

Box 29
Folder 1

Dublin "Black and Tans"

Folder 2 Far East 32-33

Folder 3 Field photos

Folder 4 Military

Folder 5 John Huston

(autographed)


Folder 6 Douglas MacArthur

(autographed)


Folder 7 Scrapbook pages

Folder 8 NBC photos and miscellaneous

Folder 9 Dan Ford photos, Vietnam

Folder 10 Miscellaneous

Folder 11-12 Original negatives

Subseries: Miscellaneous

Box 29
Folder 13

AMC film preservation promotional packet

Folder 14 "Bill of Rights" Special Committee of the Screen Directors' Guild

(copy)


Folder 15 Bound manuscript by Ferran Molto Fernandez on El Delator (The Informer)

(Spanish)


Folder 16 Brochure: "John Ford's Centenary"

Folder 17 Bumper-sticker: "God Bless John Wayne"

Folder 18 Cannes program 1995, includes John Ford retrospective

(French)


Folder 19 Chandler Sprague article on The Iron Horse,

Corrected draft


Folder 20 Coronet Mine share certificate, Jul. 18, 1950 

Folder 21 Employee's Starting Card, "Jack Ford," 1917-1918 

Folder 22 "For Mary and Jack,"

Newsclips and magazine


Folder 23 Francis Ford,

Biography and index


Folder 24 Genealogical materials

Folder 25 Hard-bound pressbook: The Alamo

Folder 26 Interview with Patrick Ford

Folder 27 Invitation to Alfred E. Smith Memorial Foundation Dinner

Folder 28 John Ford, FBI file

Folder 29-30 John Ford Index

Folder 31-33 John Ford's Official Navy Records

(Vol. I and II)


Folder 34-36 John Ford's Official Navy Records

(copy 2)


Box 30
Folder 1

John Huston articles and clippings, 1972 

Folder 2 Lindsay Anderson's review of The Unquiet Man, Oct. 29, 1982, 

Draft


Folder 3-4 Magazines

Folder 5 Mary Ford's Canteen Book

Folder 6 Memorial Tribute Register for John Ford [1973] 

Folder 7 Newspaper clippings, AFI tribute to John Ford [1973] 

Folder 8 Newspaper clippings, Barbara Ford, undated 

Folder 9 Newspaper clippings, Cannes tribute to John Ford, 1995 

Folder 10 Newspaper clippings, John Ford, 1970s 

Folder 11 Newspaper clippings, John Ford tributes and death, 1973 

Folder 12 Newspaper clippings, Katharine Hepburn book, 1995 

Folder 13 Newspaper clippings, John Wayne, 2006 

Folder 14 Newspaper clippings, undated 

Folder 15 Oral history interview with Dan Ford, Southern Methodist University

(hard-bound)


Folder 16 "The Papers of Howard Hawks," register, Brigham Young University, 1978 

Folder 17 Pappy,

Publicity


Folder 18-19 Pappy,

Reviews (United States)


Folder 20-21 Pappy,

Reviews (England)


Folder 22 Paris 1945: An O.S.S. Photo Mission

(hard-bound)


Folder 23 Press kit: The Searchers (50th Anniversary)

Folder 24 Press kit: A Turning of the Earth (The Searchers)

Folder 25 Program: Tribute to Olivia de Havilland, 2006 

Box 31
Folder 1

Receipt for bowties, 1950 

Folder 2 Robert Parrish correspondence and research materials ("December 7")

Folder 3 Thank-you ads to John Ford ( Variety, Mar. 30, 1973) 

Folder 4-6 Untitled inventory and appendices

Folder 7 The West of John Ford, articles, 1971 

Folder 8 Wisdom Award of Honor, certificate

Subseries: Writings

Box 32
Folder 1-2

Beachhead,

Typescript, various pages


Folder 3-5 Beachhead,

Typescript, pp. 1-350


Folder 6-8 Beachhead,

1st draft, pp. 1-389


Folder 9-12 Pappy,

Original typescript, pp. 1-306, 486-621


Folder 13-16 Pappy,

Corrected proof, pp. 1-389


Folder 17 Marine: The Story of Lt. Gen. "Chesty," Puller

Drafts and production materials


Subseries: Audio-Visual

Box 33 The Searchers: Behind the Scenes/Wayne and Ford: Silver Spur Awards,

DVD


John Ford Funeral Service,

DVD


John Ford BBC Interview,

DVD


John Ford's The Rising of the Moon,

DVD


The Searchers: 50th Anniversary Screening,

DVD


The American Film Institute Life Achievement Awards: John Ford, 1981, 

Videocassette


The Searchers: 50th Anniversary Screening, 2006, 

Videocassette


Stagecoach and Rising of the Moon, both recorded 1981, 

Videocassette


"Uncle Jack's Mass" (John Ford's funeral, 1973), 

Videocassette


"John Ford 1968 BBC Interview,"

Videocassette


The Searchers: Behind the Scenes/Wayne and Ford: Silver Spur Awards, Omnibus promotional TV spots for The Searchers and She Wore a Yellow Ribbon, featuring John Ford and John Wayne (includes "Silver Spurs Award" for Ford and Wayne in Reno, NV, ca. 1950 ),

¾ Videocassette


John Ford interview,

Audiotape, 3 reels, 3 ¾ ips


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