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Orbón mss., 1930-2000

Summary Information

Repository
Lilly Library (Indiana University, Bloomington)
Lilly Library
Indiana University
1200 E. Seventh St.
Bloomington, IN 47405-5500
Phone: 812-855-2452
Fax: 812-855-3143
Email: liblilly@indiana.edu

Creator
Orbón, Julián, 1925-1991.

Title
Orbón mss., 1930-2000

Collection No.
LMC 2651

Extent
800 items

Language
Materials are in English.

Abstract
The Orbón mss., 1930-2000, consist of the correspondence, musical manuscripts, photographs, and printed music of Spanish composer, Julián Orbón (August 7, 1925-May 20, 1991)

Access Restrictions

This collection is open for research.

Biographical Note

Born on August 7, 1925, in Aviles, Spain, Orbón lived in Cuba from 1940 to 1960, following which he moved to Mexico. In 1935, he studied at the National Conservatory of Oviedo in Spain. He then moved to Havana and began composing at an early age under the direction of Jose Ardevol. He was a member of the Grupo de Renovacion Musical during 1942-1949. In 1946, Orbón was awarded a grant to study at the Tanglewood Music Center with Aaron Copland. From 1946-1960, he was the director of the Orbón Conservatory, Havana, which was founded by his father, Benjamin. In 1954, he won the Juan de Landaeta Prize at the International Festival of Caracas (Venezuela) for his work. Tres versiones sinfónicas followed in 1958, along with one of his most important compositions, Concerto grosso for string quartet and orchestra. In 1955, the Fromm Foundation commissioned a work which was given its premiere in the Tanglewood Festival by a chamber group from the Boston Symphony Orchestra. In 1958, he received a scholarship from the John Simon Guggenheim Foundation; during that same year, he was given a commission to write a symphonic work by the Serge Koussevitzki Music Foundation. The original manuscript now constitutes part of the 20th century music collection of the Library of Congress in Washington

In 1959, George Balanchine selected Orbón to choreograph his Symphonic Dances as part of the Ballet Panamerica, which consisted of an evening of music from the more prominent composers of Latin America. In 1963, his Concerto Grosso was selected to represent Latin American music in the Baden-Baden Festival in Germany. He also collaborated with Pete Seeger on the musical adaptation of the famous Guantanamera tune and adapted the lyrics of the song based on a poem by Cuban poet, José Martí. He later became a lecturer at the University of Washington, the University of Miami, and at Princeton University. Orbón has given several lectures at institutions such as the University of Havana, Barnard College, the Spanish Institute of Columbia University in New York City, the Conservatory of Music in Mexico City, Washington University in St. Louis, and Rutgers University. He has also published important articles in both American and European artistic, literary, and musical magazines and journals.

Arrangement

Organized into the following series: I. Correspondence; II. Photographs; III. Writings; IV. Course Materials; V. Music; VI. Programs; VII. Articles and Clippings; VIII. Awards and Honors.

Scope and Content Note

Correspondents include: Carlos Chavez; Aaron Copland; Fina Garciá-Marruz; Ernesto Halffter; José Lezama-Lima; Eduardo Mata; Juan Orrego-Salas; Hector Quintinar; Pete Seeger; Hector Tosar; Enrique Ubieta; Heitor Villa-Lobos. Photographs are organized alphabetically by the last name of the individual and then by date. Individuals pictured include: Juan José Castro; Carlos Chavez; Aaron Copland; Heitor Villa-Lobos; and Julián Orbón.

Administrative Information

Acquisition Information
Acquired: 2006
Usage Restrictions
Prior arrangements are not necessary before coming to the Library, however, patrons from out of town are encouraged to communicate with the Library in advance of their visits to ascertain availability of materials.

Photocopying permitted only with permission of the Curator of Manuscripts, Lilly Library.

Preferred Citation
[Item], Orbón mss., Lilly Library, Indiana University, Bloomington, Indiana.
Processing Information
Processed by Kristin Leaman.

Completed in 2014


Series: Box 1 I. Correspondence.

Cabrera-Infante, Guillermo, 1983-1993 

Cáceras, Germán, 1981-1986 

Camacho, Jorge, 1976-1986 

Castro, Juan José, 1962 

Chavez, Carlos, 1957-1977 

Copland, Aaron, 1956-1984 

Cordero, Roque et al, 1964 

Cuevas, José Luis, undated 

Diego, Eliseo & Garcia-Marruz, Bella, 1959-1991 

Dorati, Antal, 1957-1979 

Durán, Gustavo, 1967-1968 

Estrada, Julio, 1983 

Foss, Lukas, 1956-1990 

Galán, Natalio & Martin, Edgardo, 1981 

Garciá-Marruz, Fina, 1980-2000 

(2 folders)


Gaztelu, Angel, 1950-1956 

Ginastera, Alberto, 195 

Halffter, Ernesto, 1967-1978 

Lavista, Mario, 1986-1987 

Lezama-Lima, José, 1947-1971 

Lozano, Alfred, 1961-1977 

Markevitch, Igor, 1958 

Mata, Eduardo, 1963-1990 

Nin-Culmell, Joaquin, 1969-1991 

Orbon, Julian, 1959 

Orrego-Salas, Juan A., 1964-1984 

Putman, Ivan, 1970 

Puyana, Rafael, 1960-1979 

Quintinar, Hector, 1963-1971 

Rodriguez, José Miguel, 1977-1998 

Seeger, Pete, 1984 

Segovia, Andrés, 1959-1984 

Rorem, Ned, undated 

Stakowski, Leopold, 1965 

Texidor, Fernando, 1976-1980 

Tosar, Hector, 1957-1964 

Ubieta, Enrique, 1972-1975 

Vega, Aurelio de le, 1999 

Villa-Lobos, Heitor, 1955-1958 

Vitier, Cintio, 1961-1989 

Zambrano, Maria, 1979-1999 

Various Cultural Organizations [In English], 1956-1993 

Various Cultural Organizations [In Spanish], 1964-1999 

Series: Box 1 II. Photographs.

Chavez, Carlos, undated 

Orbon et al, undated 

Villa-Lobos, Heiter, 1954-1957 

Photographs, 1949-1960 

Photographs, undated 

Series: Box 1 III. Writings.

Signature Manuel de Falla, 1928 

"Tarsis, Isaias, Colon," 1957 

"Tradicion y Originalidaden la musica hispanoamerica," 1968-1969 

Iconographia Antonio Estevez, 1982 

Orbon's articles in Pauta, 1987 

Velia Yedra's book announcement, 1991 

An analysis of Las Sinfonias, undated 

Box 2 An Analysis of Las Sinfonias, undated 

(3 folders)


Conference lectures by Orbon, undated 

Orbon on his relationship with Carlos Chavez, undated 

Series: Box 2 IV. Course Materials.

Modal Analysis, notebooks, 1974;  undated 

(3 folders)


Modal Analysis, lesson plans, undated 

Modal Analysis, music, undated 

Modal Analysis, miscellaneous, undated 

Music in the Spanish Civilization, music, 1947-1948 

Music in the Spanish Civilization, notes, undated 

Music in the Spanish Civilization, course outline, undated 

Music in the Spanish Civilization, Téchnica de la Variacion notes, undated 

Music in the Spanish Civilization, Téchnica de la Variacion notes, undated 

Series: Box 2 V. Music.

Folder names include, when possible, number assigned to them by the bookseller and included in original inventory.


[#30] Music notebooks, undated 

(2 folders)


[#32] Notes on Orbon's compositions, undated 

[#31] Orbon's exercise notebooks, undated 

(2 folders)


Box 5 (Oversize) [#14] Concerto Grosso for String Quartet & Orchestra, 1957-1958 

[#14] Concerto Grosso for String Quartet & Orchestra, undated 

Box 6 (Oversize) [#14] Concerto Grosso for String Quartet & Orchestra, undated 

[#20] Partita No. 3, undated 

[#21] Partita No. 4, 1982-1985 

[#21] Partita No. 4, undated 

[#21] Notas y Apuntes de Partita No. 4, undated 

Box 7 (Oversize) [#26] Preludio y Fantasia Tiento for Organ, 1975 

[#28] Costellanos que Bueno Baila Usted, undated 

[#27] Dos Conciones Folkloricas, undated 

[#23] Introito for Chorus & Orchestra, undated 

[#22] Libro de Cantares, undated 

[#29] Punto Guacanayara, undated 

[#29] Punto Guacanayara, undated 

[#24] Verso Aleluyático y for two choruses, undated 

Box 9 (Oversize) [#1] Romance de Fontefrida, 1944 

[#2] Piano Sonata, 1946-1947 

[#3] Tocata (for piano), 1945 

[#15] Tres Cantigas del Rey, 1962 

Quartet No. 1, undated 

Box 10 (Oversize) [#5] Homenaje a la Tonadilla - printed facsimile, 1947 

[#6] Homenaje a la Tonadilla - photostat, undated 

[#7] Homenaje a la Tonadilla - printed orchestral parts, undated 

[#9] La Guantanamera, undated 

[#10] Preludio y Danza for Classic Guitar, 1963 

[#11] String Quartet in three movements, 1951 

[#12] Tres Versiones Sinfonicas, 1953-1954 

(2 folders)


Box 11 (Oversize) [#4] Homenaje a la Tonadilla - autograph manuscript, 1947 

[#8] Homenaje a la Tonadilla - commentary, 1947 

[#13] 4 Danzas Sinfonicas for Orchestra, 1956-1957 

(2 folders)


Box 12 (Oversize) [#16] Monte Gelboe, 1962 

(3 folders)


[#17] Himnus ad Galli, 1956 

[#18] Partitas No. 1, 1972 

[#19] Partita No. 2, 1964 

[#20] Partita No. 3, 1965 

Box 14 [#25] Unidentified autograph manuscript, undated 

Series: Box 2 VI. Programs.

Programs of Orbon's music, 1957-1969 

Programs of Orbon's music, 1973-1979 

Programs of Orbon's music, 1981-1990 

Programs of Orbon's music, undated 

Box 3 Programs, 1952-1960 

Programs, 1960-1966 

Programs, 1967-1969 

Programs, 1970-1975 

Programs, 1976-1979 

Programs, 1984-1989 

Programs, 1990-1999 

Programs, undated 

Series: Box 4 VII. Articles and Clippings.

Articles, 1954-2000 

Newspaper clippings, 1967-2000 

Collection of articles on Orbon from the Conservatory Municipal, 1991-1992 

Box 9 (Oversize) Music reviews, 1946-2000 

Box 13 (Oversize) Reviews and review scrapbook, 1946-2000 

Series: Box 4 VIII. Awards and Honors.

Awards and Honors, 1946-2000 

Box 8 (Oversize) Awards and Honors, 1946-2000 

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