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Heart Echoes From Old Shelby. Dobbins, Douglas, 1860–1927 
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HEART ECHOES FROM
OLD SHELBYAND OTHER POEMS

By

DOUGLAS DOBBINS


Author of Quarrytown

PUBLISHED BY THE AUTHOR Franklin, Indiana

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COPYRIGHT, 1916
BY
DOUGLAS DOBBINS.

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INDEX

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PREFACE

It would have been pleasing, indeed, to the author of this book had he been able to sit dignifiedly in his study and have had a great literary success, such as other authors enjoy, come upon him. But it would not come. The mountain of success would not come to this poor, literary Mahomet, and so he just had to get out and hustle after it. It was ever thus in this particular life, and the author has begun to believe it is almost providential. And as it is with everything the good Lord orders and directs, so it was with this: It was the best thing after all, that could have happened.

It use humiliating to a certain extent, to get out and show one's friends the plans and specifications, of the forthcoming book; but this sense of humiliation soon wore away, and a sense of delight--delight in meeting old friends, and re-visiting old-time scenes--took its place.

We are glad to present this book to our friends and patrons. It has many defects and imperfectons--we grant it. But no poet has ever written with a more genuine poetical inspiration--enthusiasm--thril--whatever you may be pleased to call it--than has animated the writing of these pages. Some of the utterances may be gross, some may be egotistical, there may be some in which we ride the pronoun "I" too much, there may be others wherein we shall give offense to the technical, the fastidious, the over-nice. But, in some instances, if we have done anything we are sorry for, we are glad of it!

There are some so-called experts in music who reject the grand, old songs of the people because of their harmony and cadence They are very suspicious of anything that thrills the soul and pleases the ear. What they affect, what they claim is, the real thing in music, sounds about as well to the average ear as the page: 6[View Page 6] harmony produced by "a corn-stalk fiddle" and a "shoe-string bow." And there is a class of critics in literature of the same ilk. A Riley comes along and for thirty years has to combat this same critical crowd, before they recognize his superb singing. But when the common sense verdict of mankid, in spite of their clamor, writes the seal of approval upon his greatness, then they are ready to out-Herod Herod in doing him honor.

We love this class of critics and we wouldn't dispose of them if we could. They constitute a sort of "thorn in the fiesh," and are necessary to perfect our powers and lopp off our surplus egotism. But we have written in conformity to "the native feelings strong," in response to our own enthusiasm, and if they like it, well and good. If not, we might suggest that there is a place prepared for them from the foundation of the world! Here we pause. We won't even tell them to go there!

The author of this book believes that there can be no charge whatever of plagiarsm placed against him. A person, who, as a school boy, has conned over and committed to memory hundreds of poems until they have beome a very part of himself, will unconsciously use these expressions at times. But we do desire to say that the poem entitled "Memories suggested, etc," owes much of its merit to a beautiful little poem entitled "A Memory," by Orth Stemn, a southern writer.

THE AUTHOR.

Franklin, Indiana, October the 6th, 1916.

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