This collection is open for research.
George Orson Welles, named for his parents' friend George Ade, was born on May 6,
1915, in Kenosha, Wisconsin. A child prodigy aided and encouraged by guardian
Maurice Bernstein and teacher Roger Hill, Welles had considerable writing and acting
experience before the age of twenty. Through the years this multi-talented artist
has acted and directed on the stage, in radio, film and television; has made several
recordings; has authored plays, film scripts, and a newspaper column; and, as a
political activist, contributed considerable energy to the 1944 presidential
campaign in support of Franklin Roosevelt.
The collection principally covers the years 1936-1947. It is arranged in the
following series: Correspondence; speeches and writings; theatre; radio; recordings;
film; research files; miscellaneous materials; tape recordings; photographs and
negatives; bound radio scripts.
Correspondence primarily concerns Welles' varied artistic endeavors, though a small
amount is personal and/or social in nature. Among the correspondents are Reginald
Armour, Richard Barr, Diana Bourbon, Joseph Ignatius Breen, Hadley Cantril, Geneva
(McMath) Cranston, Herbert F. Drake, Norman Foster, William Gordon, Arnold Monroe
Grant, Ross R. Hastings, Bernard Herrmann, Roger Hill, John Houseman, Jack Kapp, Sir
Alexander Korda, Donald D. Lawrence, Jackson Leighter, Sidney L. Lipsitch, J.R.
McDonough, Herman Jacob Mankiewicz, Jack Moss, Jose Noriega, H. Earl Rettig, George
J. Schaefer, George Bernard Shaw, L. Arnold Weissberger, Ward Wheelock, Thornton
Niven Wilder, Richard Alan Wilson, Walter Winchell, Dan Winkler, Robert Wise,
Alexander Woollcott, and Richard Wright.
Welles' stage career is well documented in the collection. Scripts for every
production from the 1936
Macbeth in Harlem through the
1947
Macbeth in Salt Lake City are here. There are also
a number of scripts for plays that were planned but not produced as of 1947. These
include
Marching Song, a play written by Welles during
his teens. Varying amounts and types of production materials for the plays are also
in the collection. A sampling of these are a WPA Audience Survey Report for
Doctor Faustus; set designs, never used, for
The Cradle Will Rock; holograph music scores and
publicity newspapers for
Julius Caesar; set designs and
costume sketches for
Five Kings; and contracts and
financial records for
Around the World. There are also
background materials, press releases, handbills, programs, cast lists, and clippings
for most of the plays. Other Mercury Theatre materials include leases, financial
records, subscriptions, programs, handbills, and press releases.
Documents from Welles' radio career are extensive and include scripts and/or tape
recordings for most of the programs and series in which he appeared. Many drafts of
scripts never used, especially for the Lady Esther series, story reports, profile
studies, background research, and production materials are also present in the
collection. Other radio projects represented include a large number of production
and financial documents for the Fifth War Loan Drive shows, as well as notes,
scripts and recordings for an Eversharp Almanac series that was planned but never
broadcast. Welles also attempted, unsuccessfully, to contract with the Ziv
Transcription Series for radio programs and some production materials associated
with that effort are filed here.
The collection contains voluminous materials for the films Welles planned and
produced. His first project, the unproduced
Heart of
Darkness,
is represented by scripts, planned camera shots, a preliminary
budget, shooting schedule, make-up photos, and other items. There are similar,
though fewer, materials for
Smiler with a Knife. The
first film that Welles did complete for RKO was
Citizen
Kane.
Nine scripts, both complete and partial, including one with the
title American, document the writing of the film. Photographs and negatives of the
storyboard contribute additional details. Other items include shooting schedules,
cast lists, wardrobe list, a Pre-Budget Estimate, lists of receipts and operating
expenses, and summaries of film earnings.
Present in the collection are drafts of scripts for an unnamed Mexican story and for
the proposed film based on
The Way to Santiago. Welles'
second film,
The Magnificent Ambersons, is represented
by four scripts and a storyboard, as well as the production materials and financial
records. In the 1942 correspondence files are telegrams between Welles, Jack Moss,
and Robert Wise regarding the editing of the film.
Although Welles worked on several film projects the next few years, as witnessed by
scripts for
V & W,
The Little Prince, and
Don't
Catch Me,
and acted in
Jane Eyre,
Follow the Boys, and
Tomorrow is
Forever,
he did not direct again until
The
Stranger.
For this production there are scripts, shooting schedules,
sketches of sets and scenes, staff and cast lists, financial records, and a
pressbook.
The Stranger was followed by
Lady from Shanghai for which the collection contains
scripts, dialogue, lists of shots and re-makes, music cues, a plot summary, set
budget, summaries of earnings and accounting reports.
The research files include printed, mimeo, and typescript materials on a variety of
topics that were for Welles' use in preparing speeches, articles, newspaper columns,
radio programs, etc. The miscellaneous series of the collection consists of
materials both personal and professional in nature. These files are arranged
alphabetically by subject and include art work, automobile records, awards,
biographies, contracts, Mercury Productions finances, Welles' personal finances,
lectures, magic trick information, memberships, passports, printed materials, and
writings by people other than Welles.
The tape recordings are almost entirely of radio shows and were made from the
original recordings. They are listed individually in the collection guide.
Photographs and negatives are of the various plays and films in which Welles acted
or directed, and of his family and friends. The largest number of photographs are
publicity stills of Welles and from
Citizen Kane, The
Magnificent Ambersons, It's All True,
and
Journey
into Fear.
The final series of the collection consists of bound radio
scripts which are also listed individually in the collection guide.
Note on Indexing Term - "Art": Of interest are set designs and costume sketches for various theatrical productions
and photographs of the storyboards for Citizen Kane, a storyboard for The Magnificent Ambersons, a
storyboard for Journey into Fear, and sketches of sets and scenes for The Stranger. For the 1947 Macbeth
there are several blueprints and sketches of set designs.
Note on Indexing Term - "Journalism": Of particular interest are the scripts and recordings for an Eversharp Almanac series
and items related to Welles's work on the Lear Radio Show.
Some audio materials have been reformatted for use in the repository only.
Series:
Audio
LPs Box 1
1 / Mighty Allen Art Players in
The Sound
Man’s Revenge,
November 8, 1939
2-3 /
The Greatest Book in the
World—Genesis, Parts I and II,
March 22, 1940
4-5 /
Macbeth Follies,
April 26, 1940
(and April 27, 1940?)
6 / G. O. P. Convention, June 28,
1940
7-8 / H. G. Wells meets Orson Welles – Parts I and II, October 28, 1940
9 /
Citizen Kane interview May 28, 1941
10 / A)
Orson Welles Presents: An Irishman
and a Jew,
September 15, 1941 (Part 4 of
4) / B)
Orson Welles Presents: Hidalgo,
September 15, 1941 (Part 2 of 4)
11 / A)
Orson Welles Presents: Mead Lux
Lewis,
September 15, 1941 (Part 3 of
4) / B)
Orson Welles Presents:...
September 15, 1941 (Part 1 of 4)
LPs Box 2
12 / A)
Interlopers by Saki;
Almanac...
Side 1, September 29,
1941 / B)
Black Pearl by
Norman Foster... Side 1, October 6,
1941
13 / A)
Interlopers by Saki;
Almanac...
Side 2, September 29,
1941 / B)
Black Pearl by
Norman Foster... Side 2, October 6,
1941
14 /
If in Years to Come by Earl
Reed Silvers,
Almanac... Side 2, October 13, 1941
15 / A)
Romance by Ellis Parker
Butler,
Almanac,
Shakespeare’s...
October 20, 1941, Side 1 / B)
If in Years to Come by Earl Reed Silvers... Side 1,
October 13, 1941
16 / Roosevelt Speech “N. G.”
17 / A)
Wild Oranges by Joseph
Hergesheimer, Almanac / Side 2, November
3, 1941 / B)
That’s Why I Left
You...
/ Side 1, November 10,
1941
18 / A)
Wild Oranges by Joseph
Hergesheimer, Almanac / Side 2, November
3, 1941 / B)
That’s Why I Left
You...
/ Side 2, November 10,
1941
19 / A)
Something’s Going to Happen to
Henry,
with Janet Gaynor... / B) Part II: Walt Whitman
Poetry... Side 1, December 8,
1941
20 /
Something’s Going to Happen to
Henry,
with Janet Gaynor... Side 1, December 1, 1941 / B) Part I:
Symptoms of Being... Side 1, December 8, 1941
21-22 Bill of Rights, Sides 1-4, December 15, 1941
23-24 / DuPont –
Cavalcade of
America,
Parts I and II, December 15, 1941
LPs Box 3
25-26 / A) Reading from St. Luke’s;
The
Happy Prince
by Oscar Wilde... Sides 1 and 2, December 22, 1941 / B) “There are
Frenchmen and...” Sides 1 and 2, December
29, 1941
27-28 / A)
The Garden of Allah, by
Robert Hichens, Sides 1 and 2, January 5,
1942 / B) The Apple Tree, by John... Sides 1 and 2,
January 12, 1942
29-30 /
My Little Boy, by Carl
Ewald, January 19, 1942, Sides 1
and 2
31 / A)
The Happy Hypocrite, by Max
Beerbohm with John Barrymore... January
26, 1942 / B)
Between
Americans,
by Max... Side 1,
32 / Pan American Day, April 14,
1942
33-34 / President Vorga’s Birthday Parts I and II, April 18, 1942
35-36 /
Cavalcade of America, Parts
I and II, October 12, 1942
37 /
Ceiling Unlimited,
November 9, 1942
LPs Box 4
38 /
Hello Americans,
November 15, 1942, Parts I and
II
39 /
Ceiling Unlimited,
November 16, 1942
40-41 /
Hello Americans,
November 15, 1942, Parts I - III
42 /
Ceiling Unlimited,
November 23, 1942
43 / November 29, 1942
44-45 /
Hello Americans,
November 29, 1942
46 / Radio Recorders, Inc. B. C. November 29, 1942
47 /
Ceiling Unlimited,
November 30, 1942
48-49 /
Hello Americans,
December 6, 1942, Parts I - III
50 /
Ceiling Unlimited,
December 7, 1942,
51 /
Hello Americans,
December 13, 1942, Parts I and
III
LPs Box 5
52 /
Hello Americans,
December 13, 1942, Part II
53 /
Ceiling Unlimited,
December 14, 1942,
54 /
Hello Americans,Parts I and
III, December 20, 1942,
55 / A)
Hello Americans,Part II
December 20, 1942, / B)
Ceiling Unlimited,
December 20, 1942,
56 / A)
Hello Americans, Part I /
Christmas in the Americas,
December 27, 1942 / B)
Hello Americans, Part III, December 27, 1942
57 /
Hello Americans, Part II,
December 27, 1942
58 / 8:15 Show,
Ceiling Unlimited,
December 87, 1942
59-60 /
Hello Americans, Parts I -
III, January 3, 1943
61 / Orson Welles’ XX,
Ceiling
Unlimited
with Edward G.... January 4, 1943
62 / A) “Mexico” Part I,
Hello
Americans,
January 10, 1943 / B) “Mexico”
Part III
62-II / “Mexico” Part II, January
10, 1943
63 /
Ceiling Unlimited,
January 11, 1943
64 / A)
Hello Americans, Part II,
January 17, 1943 / B)
Ceiling Unlimited,
January 18, 1943
LPs Box 6
65-67 /
Hello Americans, Parts I and
III, January 17, 1943 and Parts
I and II, January 24, 1943
68 /
Ceiling Unlimited,
January 25, 1943
69 /
Hello Americans, Parts I and
III, January 31, 1943
70 /
Hello Americans, Part II,
January 31, 1943 / B)
Ceiling Unlimited,
February 1, 1943
71-78 /
Jack Benny Show, Orson
Welles: Parts I-III, March 14,
1943; Parts I-III, March
21, 1943; Parts I-III, March 23, 1943; Parts I-III, April 4, 1943; Parts I-III, April 11, 1943;
79 /
The Free World Theatre Presents
“Something About Joe”...
May 23, 1943
LPs Box 7
80 / Orson Welles Part I, September
3, 1943
81 / Presto,
“Reading Out Loud,”
September 3, 1943
82 / Orson Welles,
Mercury Wonder Show,
September 7, 1943
83 / Orson Welles Audition, September 13, 1943
84 Orson Welles Show / Parts I and II, January 26, 1944
85-86 /
Orson Welles Almanac, Parts
I and II, February 2, 1944;
Parts I and II, February 9,
1944;
87-92 /
Orson Welles Show, Parts I
and II, February 16, 1944;
February 23, 1944;
March 1, 1944;
March 8, 1944;
March 15, 1944;
March 22, 1944
LPs Box 8
93-99 /
Orson Welles Show, Parts I
and II, March 29, 1944;
April 5, 1944;
April 12, 1944;
May 17, 1944;
May 24, 1944;
May 31, 1944;
June 7, 1944
100-103 / A) “5th War Loan Drive” (aka Texarkana Broadcast) with
Orson Welles, Parts I-IV, June 12,
1944
104 / Orson Welles Show, Parts I and II, June 14, 1944
LPs Box 9
105-108 /
Orson Welles Show,
June 21, 1944;
June 28, 1944;
July 5, 1944;
July 12, 1944; Part I,
June 21, 1944 B)
Orson Welles Show, Part II, June 21, 1944
109 / A)
Orson Welles Almanac, Part
I, July 19, 1944 / B)
Orson Welles Show, Part II, July 19, 1944
110 / Orson Welles Speech, “False Issues and the American
Presidency,” October 18, 1944
111 / A) Inauguration, December 7,
1944 / B)
Three Wise Men,
Part II; ... December 7, 1944
112 / A)
Fortune Telling, / B)
Predictions, both December 7, 1944
113 / A)
Anti Lady, News Amylas, /
B)
GI Bill of Rights, both December 7, 1944
114 / A)
Three Wise Men, Part I,
December 7, 1944 / B)
Fortune Telling, Part II, December 7, 1944
115-116 /
Philco Hall of Fame,
December 24, 1944
117 /
Orson Welles Eversharp Almanac
/ “Inauguration” Program No. 8
LPs Box 10
118 / A)
Orson Welles Eversharp
Almanac,
“Grable”, Pgm. No. 7 / B)
Orson Welles Eversharp Almanac, “Lobbying”, Pgm. No. 1
119 / A)
Orson Welles Eversharp
Almanac,
“Post War”, No. 4 / B)
Orson
Welles Eversharp Almanac,
“Shut Eye”, No. 6
120 /
Orson Welles Eversharp
Almanac,
“New Years”, Pgm. No. 3
121 /
Orson Welles Eversharp
Almanac,
“Epiphany”, Pgm. No. 5
122 / A)
Orson Welles Eversharp
Almanac,
“G. I. Bill of Rights”, Pgm. 2 Welles, “Grable”
123-130 /
This is My Best, Starring Orson
Welles,
March 13, 1945;
March 20, 1945;
March 27, 1945;
April 3, 1945;
April 10, 1945;
April 17, 1945;
April 24, 1945
LPs Box 11
131-132 /
Blind Date,
July 23, 1945
133 / Lear Voice Auditions, September 4, 1945
134 / Lear Program – Orson Welles, September, 16, 1945
135 /
Dick Tracy “ch 2”, No Welles,
September 21, 1945
136 / Orson Welles – Lear, September 23, 1945
137 /
Dick Tracy “ch 4”, No Welles,
September 24, 1945
138 /
Terry & Pirates, No
Welles, September 24, 1945
139 / Jack Armstrong, No Welles, September 24, 1945
140 / September 30, 1945
141-143 / Orson Welles, October 7,
1945;
October 14, 1945;
October 21, 1945;
October 28, 1945;
November 4, 1945
LPs Box 12
144-146 / Orson Welles, November
11, 1945;
November 18, 1945;
November 25, 1945
147 / A) Orson Welles from Chicago, December 2, 1945 / B) Orson Welles from S. F. /
Treasure Island,
December 9, 1945
148-149 / Orson Welles, December
16, 1945;
December 23, 1945
150 / Orson Welles Broadcast no. 16, December 30, 1945
151-153 / Orson Welles Program, January 6, 1946;
January 13, 1946;
January 20, 1946;
January 27, 1946;
February 3, 1946;
February 13, 1946; / B) Orson
Welles Program January 13,
1946;
154 /
One Out of Seven (No
Welles)
LPs Box 13
158 / Orson Welles, March 10,
1946
159 / One Out of Seven (No Welles), March 13, 1946
160 / Orson Welles, March 17,
1946;
March 24, 1946
161 /
Reader’s Digest Parts I and
II, March 31, 1946
162-164 / Orson Welles, March 31,
1946;
April 7, 1946;
April 14, 1946;
April 21, 1946;
April 28, 1946;
May 5, 1946
165 / A) Orson Welles Program Replaced by News, May 12, 1946 / B) Orson Welles
Program, May 19, 1946
166 / Orson Welles Program, May 26,
1946;
June 2, 1946
167 /
Mercury Summer Theatre Parts I
and II, June 7, 1946
168 /
Orson Welles Almanac,
June 9, 1946;
June 16, 1946
169 /
Mercury Summer Theatre—Count of Monte
Cristo
Parts I and II, June 14,
1946
LPs Box 14
171 / Orson Welles Program,
Jane
Eyre,
Parts I and II, June 28,
1946
172-173 /
Mercury Theatre with Orson
Welles
“A Passenger to Bali” Parts I and II, July 5, 1946
174 / Orson Welles, July 7,
1946;
July 14, 1946
175-176 /
Mercury Theatre with Orson
Welles
“Search for Henri Le Fevre,” July 12, 1946
177-178 /
Mercury Theatre with Orson
Welles
“Life with Adam,” July
19, 1946
179 / A) Orson Welles Program, July
21, 1946;
July 28, 1946
180-181 /
Mercury Theatre with Orson
Welles
“Moat Farm Murder,” July
26, 1946
LPs Box 15
182-183 / A)
Mercury Theatre with Orson
Welles
“Golden Honeymoon” / Selections from
Romeo & Juliet,
August 2, 1946
184 / A) Orson Welles Program, August 4, 1946;
August 11, 1946
185-186 /
Mercury Theatre with Orson
Welles, Hell on Ice,
August 9, 1946
187 / Orson Welles, August 18,
1946;
August 25, 1946
188-189 /
The Orson Welles Show
“Alexander *sic+ the Slave,” August 16,
1946
190-191 /
Mercury Theatre,
August 23, 1946;
August 30, 1946
192 / Orson Welles Program, September 1, 1946;
September 8, 1946
193-194 / Orson Welles, September
15, 1946;
September 22, 1946;
September 29, 1946;
October 6, 1946
LPs Box 16
195-196 / Chicago Roundtable, December 10, 1944
197-199 / “Loops,” March 17,
1947
200 / No Label, March 17,
1947
201 / “Voice of Freedom Speech,” May 8, 19[4]7
202 / “Dickie—Jealously” [sic], “Doorway to Life” Part II,
July 3, 1947
203-209 / “Doorway to Life,” July
23, 1947;
August 28, 1947;
September 4, 1947;
September 11, 1947;
September 18, 1947;
September 24, 1947
LPs Box 17
210-221: “Doorway to Life,” October
30. 1947;
November 6, 1947;
November 13, 1947;
November 27, 1947;
December 11, 1947;
December 18, 1947;
January 8, 1948;
January 15, 1948;
January 22, 1948
LPs Box 18
222-226 / “Doorway to Life,” February 24, 1948;
April 4, 1948;
April 25, 1948;
May 2, 1948;
June 13, 1948
227 / Music tracks, Columbia Recording Corp., undated
228 / “Correspondents Around the World” (No Welles), undated ABC Bad Line
Hits, September 25 [no
year]
229 / “Go with your Red Cross, RCA and Vocafilm,” undated
230 / Music tracks, Columbia Recording Corp., undated
231 / Breakfast in Hollywood (No Welles) / ABC, December 24 [no year]
232 / Actual Stage Timing, Court Room Scene / Jack
Benny
233-234 / No Welles,
Quiz Kids, ABC,
September 23, [no
year]
235 / Columbia Recording Corp.: Music Tracks
LPs Box 19
236 / A) “Bill H.” Presto Recording Co. / B) “Cowtown
U.S.A.”
237 / Audiodisc, Clyde Wall, Part I
238 / G. Manor, ABC Audiodisc, Part 2, September 24, [no
year]
239 / A) Audiodisc, “One Out of Seven,” March 22 [no year]
“14:36” / B) Audiodisc, “Kaltenborn” March 5 [no year]
240 / G. Manor, ABC Audiodisc December 24 [no year]
LPs Box 20
241-245 / “Orson Welles as George Washington,” February 22, 1941
246-248 /
His Honor, the Mayor,
April 5, 1941
249-252 / Orson Welles, Mercury Theatre, December 22, 1941
252-253 / A) “Bond Show,” June 19,
1944
LPs Box 21
254 /
I’m a Fool,
August 8, 1938
255-256 /
I’m a Fool / The Open
Window,
August 8, 1938
257-259 /
My Little Boy,
August 8, 1938
260-265 /
Abraham Lincoln,
August 15, 1938
266-271 /
Count of Monte Cristo,
August 29, 1938
272-277 /
Sherlock Holmes,
September 25, 1938
278-283 /
Seventeen,
October 16, 1938
284-289 /
Around the World in Eighty
Days,
October 23, 1938
290-297 /
The Magnificent Ambersons,
[October 29, 1939]
298-300 /
Heart of Darkness,
November 6, 1938
301 /
Heart of Darkness/Life with
Father,
November 6, 1938
302-303 /
Life with Father,
November 6, 1938
304-308 /
Hell on Ice,
October 9, 1938
309-314 /
Passenger to Bali,
November 13, 1938
315-320 /
Rebecca,
December 9, 1938
LPs Box 22
321-326 /
Hurricane,
November 5, 1939
327-340 /
The Murder of Roger
Ackroyd,
November 12, 1939
341-346 /
Arrowsmith,
February 3, 1939
347-352 /
I Lost My Girlish
Laughter,
January 27, 1939
353-358 /
The Green Goddess,
February 10, 1939
359-363 /
Counselor at Law,
January 6, 1939
364-368 /
A Christmas Carol,
December 23, 1938
LPs Box 23
369-374 /
Peter Ibbetson,
September 10, 1939
375-380 /
Ah, Wilderness!
September 17, 1939
381-387 /
The Count of Monte Cristo,
October 1, 1939
388-395 /
Algiers,
October 8, 1939
396-401 /
What Every Woman Knows,
September 24, 1939
402-407 /
Escape,
October 15, 1939
408-413 /
Liliom,
October 22, 1939
414-422 /
Hurricane,
November 5, 1939
LPs Box 24
423-428 /
The Glass Key,
March 10, 1939
429-434 /
Beau Geste,
March 17, 1939
435-440 /
Twentieth Century,
March 24, 1939
441-446 /
Show Boat,
March 31, 1939
447-452 /
Private Lives,
April 21, 1939
453-458 /
Victoria Regina,
June 21, 1939
459-464 /
Wickford Point,
May 5, 1939
465-470 /
Our Town,
May 12, 1939
471-476 /
The Bad Man,
May 19, 1939
477-502 /
The Things We Have,
May 26, 1939
LPs Box 25
503-508 /
A Tale of Two Cities,
July 25, 1938
509-514 /
The 39 Steps,
August 1, 1938
515-520 /
Dracula,
July 11, 1938
521-526 /
Treasure Island,
July 18, 1938
LPs Box 26
527-534 /
Jane Eyre,
[undated]
535-542 /
Rabble in Arms,
March 3, 1940
543-550 /
Huckleberry Finn,
[March 17, 1940]
551-554 / “Jack Benny,” March 17,
1940
555-557 / “Untitled/Jello,” March
17, 1940
558-565 /
Theodora Goes Wild,
January 14, 1940
LPs Box 27
566-571 /
Vanity Fair,
January 7, 1940
572-579 /
The Citadel,
January 21, 1940
580-585 /
It Happened One Night,
January 28, 1940
586-593 /
Dinner at Eight,
February 8, 1940
594-600 /
The Broome Stages,
February 4, 1940
601-606 /
Mr. Deeds Goes to Town,
February 11, 1940
607-610 /
Vanessa,
December 10, 1939
LPs Box 28
611-618 /
There’s Always a Woman,
December 17, 1939
619-632 /
Dodsworth,
November 26, 1939
633-640 /
Lost Horizon,
December 3, 1939
641-646 /
The Garden of Allah,
November 19, 1939
647-654 /
A Christmas Carol,
December 24, 1939
LPs Box 29
655-666 /
Cavalcade of America,
September 28, 1942
667-672 /
The War of the Worlds,
October 30, 1938
673-680 /
June Moon,
March 24, 1940
681-688 / “Orson Welles with Ann Harding,” [undated]
689-696 /
Only Angels Have Wings,
February 25, 1940
LPs Box 30
697-699 / “Hollywood Democratic Committee,” 1944
700-703 / “Democratic National Committee,” November 1, 1944
704-707 / “Fred Waring & Special Governors,” April 12-13,
1945
708-711 / “Musicraft,” [undated]
712-720 /
Macbeth,
1940