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MY CHILD-WIFE.
"The big boys quizzed me, made hideous faces at me from behind their
spelling-books, and great hulking Tom Halliday threw a spit-ball that lodged on
the wall just over my head, by way of showing his contempt for me; but I looked
at Susie, and took courage."
MY WIFE AND I: OR, HARRY HENDERSON'S HISTORY.
BYHARRIET BEECHER STOWE,
AUTHOR OF "UNCLE TOM'S CABIN," "PINK AND WHITE," ETC.NEW-YORK: J. B. FORD AND COMPANY.
1871.Entered according to Act of Congress in the year 1871 BY J. B. FORD AND COMPANY, in the office of the Librarian of Congress, at Washington.
PREFACE.
DURING the passage of this story through THE CHRISTIAN UNION, it has been repeatedly taken for granted by the public press that certain of the characters are designed as portraits of really existing individuals.
They are not. The supposition has its rise in an imperfect consideration of the principles of dramatic composition. The novel-writer does not profess to paint portraits of any individual men and women in his personal acquaintance. Certain characters are required for the purposes of his story. He conceives and creates them, and they become to him real living beings, acting and speaking in ways of their own. But on the other hand, he is guided in this creation by his knowledge and experience of men and women, and studies individual instances and incidents only to assure himself of the possibility and probability of the character he creates. If he succeeds in making the character real and natural, people often are led to identify it with some individual of their acquaintance. A slight incident, an anecdote, a paragraph in a paper, often furnishes the foundation of such a character; and the work of drawing it is like the process by which Professor Agassiz from one bone reconstructs the whole form of an unknown fish. But to apply to page: iv-v[View Page iv-v] any single living person such delineation is a mistake, and might be a great wrong both to the author and to the person designated.
- "Ne'er so sure our passion to create,
- As when they touch the brink of all we hate."
Certainly the author knows no original fully answering to the character of Mrs. Cerulean, though she has heard such an one described; and, doubtless, there are traits in her equally attributable to all fair enthusiasts who mistake the influence of their own personal charms and fascinations over the other sex, for real superiority of intellect.
There are happily several young women whose vigorous self-sustaining career, in opening paths of usefulness alike for themselves and others, are like that of Ida Van Arsdel; and the true experiences of a lovely New York girl first suggested the character of Eva; yet both of them are, in execution, strictly imaginary paintings, adapted to the story. In short, some real character, or, in many cases, some two or three, furnish the germs, but the germs only, out of which new characters are developed.
In close: The author wishes to dedicate this Story to the many dear, bright young girls whom she is so happy as to number among her choicest friends. No matter what the critics say of it, if they like it; and she hopes from them, at least, a favorable judgment.
H. B. S.
TWIN-MOUNTAIN HOUSE, N. H. October, 1871.CONTENTS:
- I. THE AUTHOR DEFINES HIS POSITION 1
- II. MY CHILD-WIFE 5
- III. OUR CHILD-EDEN 17
- IV. MY SHADOW-WIFE 32
- V. I START FOR COLLEGE 43
- VI. MY DREAM-WIFE 52
- VII. THE VALLEY OF HUMILIATION 66
- VIII. THE BLUE MISTS 76
- IX. AN OUTLOOK INTO LIFE 84
- X. COUSIN CAROLINE 99
- XI. WHY DON'T YOU TAKE HER? 113
- XII. I LAY THE FIRST STONE IN MY FOUNDATION 126
- XIII. BACHELOR CHAMBERS 136
- XIV. HAPS AND MISHAPS 144
- XV. I MEET A VISION 154
- XVI. THE GIRL OF OUR PERIOD 166
- XVII. I AM INTRODUCED INTO SOCIETY 182
- XVIII. THE YOUNG LADY PHILOSOPHER 193
- XIX. FLIRTATION 204
- XX. I BECOME A FAMILY FRIEND 216
- XXI. I DISCOVER THE BEAUTIES OF FRIENDSHIP 226
- XXII. I AM INTRODUCED TO THE ILLUMINATI 234
- XXIII. I RECEIVE A MORAL SHOWER-BATH 240
- XXIV. AUNT MARIA 247
- XXV. A DISCUSSION OF THE WOMAN QUESTION 257
- XXVI. COUSIN CAROLINE AGAIN 272
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- XXVII. EASTER LILIES 280
- XXVIII. ENCHANTMENT AND DISENCHANTMENT 290
- XXIX. A NEW OPENING 307
- XXX. PERTURBATIONS 319
- XXXI. THE FATES 327
- XXXII. THE GAME OF CROQUET 336
- XXXIII. THE MATCH GAME 345
- XXXIV. LETTER FROM EVA VAN ARSDEL 351
- XXXV. DOMESTIC CONSULTATIONS 360
- XXXVI. WEALTH versus LOVE 366
- XXXVII. FURTHER CONSULTATIONS 373
- XXXVIII. MAKING LOVE TO ONE'S FATHER-IN-LAW 379
- XXXIX. ACCEPTED AND ENGAGED 388
- XL. CONGRATULATIONS, ETC. 396
- XLI. THE EXPLOSION 401
- XLII. THE TALK OVER THE PRAYER-BOOK 409
- XLIII. BOLTON 417
- XLIV. THE WEDDING JOURNEY 421
- XLV. MY WIFE'S WARDROBE 429
- XLVI. LETTERS FROM NEW YORK 435
- XLVII. AUNT MARIA'S DICTUM 441
- XLVIII. OUR HOUSE 448
- XLIX. PICNICKING IN NEW YORK 453
- L. NEIGHBORS 458
- LI. MY WIFE PROJECTS HOSPITALITIES 464
- LII. PREPARATIONS FOR OUR DINNER PARTY 468
- LIII. THE HOUSE-WARMING. 471
ILLUSTRATIONS.
- I. MY CHILD-WIFE Frontispiece
- II. MATRIMONIAL PROPOSITIONS 15
- III. UNCLE JACOB'S ADVICE 47
- IV. MY DREAM-WIFE 64
- V. BOLTON'S ASYLUM 142
- VI. THE UMBRELLA 159
- VII. THE ADVANCED WOMAN OF THE PERIOD 240
- VIII. THE MATCH GAME 349