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Henry Glassie papers, 1968-2019

A Guide to his Papers at the Indiana University Archives

Finding aid prepared by Carrie Schwier

Summary Information

Repository
Indiana University Archives
1320 East Tenth Street
Herman B Wells Library E460
Bloomington, IN 47405-7000
Phone: 812-855-1127
Email: archives@indiana.edu
http://www.libraries.iub.edu/archives

Creator
Glassie, Henry, 1941-

Title
Henry Glassie papers, 1968-2019

Collection No.
C482

Extent
12.5 cubic feet
(14 boxes)

Language
Materials are in English.

Abstract
Henry Glassie was a professor at the Indiana University Folklore Institute from 1970-1976 and 1988-2008, and is a renowned scholar in the field of folklore with a particular focus upon material culture and vernacular architecture. The collection consists of drafts, proofs and correspondence relating to his numerous publication and lectures as well as a few biographical items of Glassie's including awards and recordings of his oral history.

Access Restrictions

Collection is open for research. Advance notice required.

Biographical Note

Henry H. Glassie (born in 1941 in Washington, D.C) received his B.A. in English and Anthropology from Tulane University in 1964, his M.A. from the Cooperstown Program of the State University of New York in fold culture in 1965, and his Ph.D. from the University of Pennsylvania in folklore in 1969. During the course of his doctoral work from 1967-1969, Glassie served as the State Folklorist of Pennsylvania which at the time was the only state folklorist position in the United States. From 1970-1976, he served as professor at Indiana University’s Folklore Institute, followed by a tenure at the University of Pennsylvania from 1976-1988 where he served as professor and chair of the department of Folklore and Folklife. In 1988, he returned to Indiana University’s Folklore Institute where he served as a professor, Co-Director of the Turkish Studies program, in addition to adjunct appointments in central Eurasian Studies, American Studies, Near Eastern Languages and Cultures, and India Studies. Glassie officially retired from the university in May of 2008 with the title College Professor Emeritus of Folklore and Ethnomusicology.

Glassie has published widely in the fields of material culture and vernacular architecture. Among his books are Passing the Time in Ballymenone (1982) which won the Chicago Folklore prize and the Haney Prize in the Social Sciences; Irish Folktales (1985); The Spirit of Folk Art (1989); Turkish Traditional Art Today (1993) which was included in the New York Times list of notable books of the year and won the Award for Outstanding Achievement by the Assembly of Turkish American Associations; Art and Life in Bangladesh (1997); Material Culture (1999); Vernacular Architecture (2000) which won the Cummings Award for the best book on North American Architecture; The Stars of Ballymenone (2006); and most recently Prince Twins Seven-Seven: His Art, His Life in Nigeria, His Exile in America (2010) through IU press.

Outside academia, he helped to organize the Smithsonian’s Folklife Festival and the Office of Folklife Programs, and served on the first Folk Arts panel of the National Endowment for the Arts and as a consultant for outdoor museums such as Conner Prairie Pioneer Settlement, Plimoth Plantation and Ulster-American Folk Park. He has also curated exhibitions for the Museums of International Folk Art, the Indiana University Art Museum and the National Museum of Bangladesh. He has served as president of the Vernacular Architecture Forum, the American Folklore Society, and was appointed by President Clinton to the National Council on the Humanities. He has received a Teaching Excellence Award from Indiana University and prestigious lifetime achievement awards from the American Council of Learned Societies (ACLS) and the American Folklore Society (AFS).

Glassie's wife, Pravina Shukla, is a Professor of Folklore at Indiana University. Shukla was born in Norway to Indian parents. Raised in Brazil, she grew up speaking Portuguese, Hindi, and later English after moving to California as a teenager. She received her BA in Anthropology from the University of California, Berkeley, and her MA and PhD in Folklore from University of California, Los Angeles. She has taught classes in folklore, fieldwork, material culture and museum studies at Indiana University. Professor Shukla joined the faculty at IU in 2000 as an assistant professor of folklore, and became an associate professor in 2006. She has worked at the Fowler Museum of Cultural History, the LA Craft and Folk Art Museum, the American Museum of Natural History in New York, and the Mathers Museum at Indiana University. She is the author of numerous articles and books including Sacred Art: Catholic Saints and Candomblè Gods in Modern Brazil, which she co-authored with Glassie.

Arrangement

The collection is arranged into four series: Biographical, Correspondence, Publications and Lecture notes. Biographical, Publications, and Lecture Notes are organized chronologically. Folders within correspondence are organized alphabetically.

Scope and Content Note

The collection is organized into four series: Biographical, Correspondence, Publications and Lecture notes.

Biographical (2006-2012) has been arranged chronologically and includes awards which Glassie received, as well as his oral history materials

Correspondence (2001 - 2019) was grouped into three subseries – Colleagues, Former Students and General - based off designations given at time of donation, with authors listed within alphabetically. Exchanges within the subseries “Colleagues” notably include exchanges with scholar Robert Brady Cochran II. Glassie has retained his letters from English and Irish writers for the time being.

Arranged chronologically, Publications (1968-2019) are further organized into four sub-series. The first, Monographs (1968-2019) includes drafts in handwritten and typewritten form, galley and page proofs of Glassie’s books, in particular Turkish Traditional Art Today, Art and Life in Bangladesh, Material Culture, Vernacular Architecture, and The Stars of Ballymenone . The second and third sub-series of Articles (1977-2018) and Research, Lectures and Reports sub-series (1983-2015) contains manuscript material and occasional related correspondence. The fourth sub-series, Collaborative Publications (2015-2018), includes manuscript material and related correspondence for works which Glassie co-authored, most notably Sacred Art: Catholic Saints and Candomblè Gods in Modern Brazil, written with his wife, Pravina Shukla.

The fourth series, Lectures Notes (1975-1999, undated) is maintained roughly in topical order in the way that it was received.

Related Material

For personal papers: Additional publications and research materials may be accessed in IUScholarworks: http://scholarworks.iu.edu/

Related photographs may be available in the University Archives Photographs Database: http://webapp1.dlib.indiana.edu/archivesphotos/

Administrative Information

Acquisition Information
Accession 2006/102
Usage Restrictions
The donor(s) of this collection have not transferred their copyrights for the materials to the Trustees of Indiana University. For more information, please contact the Indiana University Archives staff.

The Indiana University Archives respects the intellectual property rights of others and does not claim any copyrights for non-university records, materials in the public domain, or materials for which we do not hold a Deed of Gift. Responsibility for the determination of the copyright status of these materials rests with those persons wishing to reuse the materials. Researchers are responsible for securing permission from copyright owners and any other rights holders for any reuse of these materials that extends beyond fair use or other statutory limitations.

Digital reproductions of archival materials from the Indiana University Archives are made available for noncommercial educational and research purposes only. If you are the copyright holder for any of the digitized materials and have questions about its inclusion on our site, please contact the Indiana University Archivist.

Preferred Citation
[Item], Henry Glassie papers, Collection C482, Indiana University Archives, Bloomington.
Provenance
Transferred by Henry Glassie to the University Archives, September 2006.
Processing Information
Processed by Carrie Schwier.

Completed in 2012.

Folder List


Series: Biographical, 2006-2012

Box 1 Awards and Honors, 1998-2010

Includes American Folklore Society Achievement Award


Lecture Printed Materials, 2006-2011

Box 14 Oral History, 2007-2008

(21 audiocassettes)


Box 1 Retirement, 2008

American Council of Learned Societies Charles Homer Haskins Prize, 2009-2012

Series: Correspondence, 2001-2019,  undated 

Subseries: Colleagues, 2009-2019, undated Box 1

Burrison, John, 2010-2012

Caffery, Josh, 2013-2016

Cochran, Robert Brady II, 2010-2018

Meining, D.W., 2012-2016

Photos Removed


Ferris, William, 2011-2015

Peek, Phil, 2009-2019

Subseries: Former Students, 2009-2017,  undated

Berlinger, Gabrielle, 2011-2017

Cashman, Ray, 2011-2014,   undated

Photos Removed


Hansen, Gregory, 2011-2013

Hirayama, Miyuki, 2009

Mould, Tom, 2014,   undated

General Former Students, 2010-2014

Photos Removed


Subseries: General, 2001-2017

AFS Lifetime Scholarly Achievement Award, 2010

British Broadcasting Corporation, 2010

CGP Bruce R. Buckley Lecture, 2010-2011

City of Bloomington/Monroe County Deer Task Force, 2012

Flannery, James W., 2011-2012

Forsthoff, Kyle M., 2016

General Incoming, 2011-2015,  undated

Photos Removed


Lectures, 2010-2016,  undated

Photos Removed


Hiller, Geoffrey, undated

Illick, Joe, 2012-2016,  undated

North Carolina Heritage Award, 2013

O'Donahue, Marguarita, Dissertation Review, 2016

Publications and Reviews, 2011-2017

Sobrer, Pep, 2010-2011

Series: Publications, 1968-2006,  undated 

Subseries: Monographs, 1968-2019,  undated  Box 1

Guide for Collectors of Oral Traditions and Folk Cultural Material in Pennsylvania, 1968 

Pattern in the Material Folk Culture of the Eastern United States, 1969 

Passing the Time in Ballymenone: Culture and History of an Ulster Community, 1982 

Irish Folktales,

Research, undated 

(5 folders)


Box 2 Handwritten Drafts, undated 

(3 folders)


The Spirit of Folk Art,

Handwritten Drafts, undated 

Typed Drafts, undated 

(3 folders)


Galley Proofs with Edits, undated 

Turkish Traditional Art Today,

Handwritten Drafts, undated 

(13 folders)


Layout Pages, undated 

(3 folders)

Box 3

Layout Pages, undated 

Spiral Bound Book Proof, 1993 

(2 folders)

(See Oversized Box 11)


Bound Color Proof, 1993 

Art and Life in Bangladesh,

Handwritten Drafts, undated 

(6 folders)


Handwritten Drafts, undated 

(6 folders)

Box 4

Final Typed Draft, undated 

(4 folders)


Galley Proofs with Edits, undated 

(4 folders)


Galley Proofs, undated 

(4 folders)


Cover Design drafts, undated 

Spiral bound Proof, 1997 

Box 5 Color Proof, 1995 

IU Press Publicity, 1997 

Material Culture,

Chapter drafts, undated 

“Material Culture”, undated 

“One Life”, undated 

“One Life,” Handwritten Draft, undated 

(2 folders)


“The Potter’s Art," undated 

(2 folders)


"Vernacular Architecture," undated 

Page Proofs with Edits, undated 

(3 folders)


Images, undated 

Spiral Bound Book Proof, 1998 

Logo, 1999 

Color Printed Book Proof, 1999 

The Potter’s Art,

Drafts, undated 

(4 folders)


Images, undated  Box 6

Cover Design, undated 

Color Book proof, 1999 

Traditional Art of Bangladesh, 2000 

(2 folders)


Vernacular Architecture,

“Vernacular Architecture” Handwritten Chapter Drafts, undated 

(2 folders)


Handwritten Drafts, undated 

Book Proof Draft, undated 

March 2000 

May 4, 2000 

May 30, 2000 

June 2000 

Page Proofs, undated 

Color Book Proof, undated 

The Stars of Ballymenone,

Handwritten Drafts with Notes for Transcription, undated 

(2 folders)


Handwritten Drafts, undated 

(4 folders)


Box 7 Handwritten Drafts, undated 

(18 folders)


Typed Drafts, ca. 2006 

(5 folders)


Typed Drafts, ca. 2006  Box 8

(6 folders)


The Stars of Ballymenone, 2016 edition, 2016 

"Afterword " to the 2016 Edition of The Stars of Ballymenone, 2016

Daniel Johnston: A Portrait of the Artist as a Potter in North Carolina, 2019

First Draft, 2019 

Handwritten

(2 folders)


Manuscript with Edits, undated

Typed and Handwritten

(2 folders)


Subseries: Articles, 1977-2018 

"Meaningful Things and Appropriate Myths: The Artifact’s Place in American Studies," Prospects: An Annual of American Cultural Studies, 1977 

(3 folders)


A Museum of American Frontier Culture: A Proposal. New York: Scotch-Irish Trust of Ulster, 1978 

"Folkloristic Study of the American Artifact: Objects and Objectives," 1983 

(3 folders)


"Foreword," in Steven Ohrn, ed., Passing Time and Tradition, 1984 

"Vernacular Architecture and Society," 1984 

"Irish," in Dell Upton, ed., America’s Architectural Roots, 1986 

"Folklore and History," 1987 

"Introduction," Traditional Pottery in Bangladesh, 1987 

"Postmodernism," Folklore Forum, 1988 

"Foreword," Discovering American Folk life, 1989 

"A Master of the Art of Carpet Repair: The Life of Hagop Barin," Oriental Rug Review, 1989 

"Skill," in The Old Traditional Way of Life: Essays in Honor of Warren E. Roberts, 1989 

"Studying Material Culture Today," in Living in a Material World: Canadian and American Approaches to Material Culture, 1991 

"Turkish Traditional Art Today," Santa Fe Museum of International Folk Art, 1991 

"Folklorist’s Progress: A Brief Biography of Warren E. Roberts," Folklore Forum, 1992 

"Epilogue: The Spirit of Swedish Folk Art," in Swedish Folk Art: All Tradition is Change, 1994 

"On Identity," Journal of American Folklore, 1994  Box 9

"The Practice and Purpose of History," Journal of American History, 1994 

(2 folders)


"Turkish Traditional Art Today," Indiana University Art Museum, 1994 

"Values in Clay," The Studio Potter 22:2 (1994) : 2-7.

"At Work in Bursa," in Fields of Folklore: Essays in Honor of Kenneth S. Goldstein, 1995 

"Tradition," Journal of American Folklore, 1995 

(2 folders)


"Turkish Folk Art and the Search for Meaning," 1995 

"Historic Preservation," BRI Newsletter, 1996 

"Prof. Evans," Foreword, 1996 

"The Word of God and the Song of the Soul: Calligraphic Art in Modern Turkey," The American Muslim Council Report, 1996 

"Aesthetics," "Wall: Timber (Appalachian)," "Ohio Valley," "South: Upland," "Appalachian," "German," "Scotch-Irish," "Valley of Virginia," in Encyclopedia of Vernacular Architecture of the World, 1997 

(2 folders)


"Foreword," in The Illustrated Buyer’s Guide to Oriental Carpets, 1998 

"History’s Dark Places," Distinguished Lecturer Series - Bloomington: Indiana University Institute of Advanced Studies, 1998 

(2 folders)


"Communication in the Twenty-First Century," Civilization, 1999 

(2 folders)


"Elie Nadelman: Tango, c. 1919," in Frames of Reference: Looking at American Art, 1900-1950: Works from the Whitney Museum of Art, 1999 

"Mastering the Arts," Cornucopia, 2000 

"Style and Spirit in Representation," in From Academic Art to Popular Pictures: Principles of Representation, Reproduction, and Transformation, 2000 

"Warren E. Roberts," Journal of American Folklore, 2000 

"Bengali Art in Metal," in Entre Beauce et Arcadie: Facettes d’un Parcours Ethnologique: Etudes Offertes au Professeur Jean-Claude Dupont, 2001 

"The Builder’s Art," in Smithsonian Folklife Festival, 2001 

"Keating Hero," New Hibernia Review, 2001 

"Mark Hewitt: Outside," Louise Wells Cameron Art Museum, 2002 

"Nature, Culture, and Cosmological Interference," in Natur-Kultur: Volkskundliche Perspektiven auf Mensch und Umwelt, 2001 

(2 folders)


"Performance Theory and the Documentary Act," Indian Folklife, 2001 

(2 folders)


"Artists along the Silk Road," in The Silk Road: Connecting Cultures, Creating Trust, 2002 

"Luovia Ratkaisuja Märkyyteen Ja Kuivuuteen," in Vesi Vetää Puoleensa, 2002 

"Mud and Mythic Vision: Hindu Sculpture in Modern Bangladesh," in Myth: A New Symposium, 2002  Box 10

(2 folders)


"Pottery, Bangladesh," and "Architecture, Bangladesh" in South Asian Folklore: An Encyclopedia, 2003 

"The Rural Landscape," National Trust Forum Journal, 2003 

(2 folders)


"E. Estyn Evans: An Appreciation on the Centennial of His Birth," Ulster Folklife, 2004 

"William Hansen," Traditions, 2005 

"Authorship in Oral Narrative, " in Marvelous Transformations: An Anthology of Fairy Tales and Contemporary Critical Perspectives, 2010-2012 

"Historical Time and 'The Swad Chapel Song'" in Essays on Lore, Literature and Language: Essays in Honour of Séamus Ó Catháin, 2010-2012

"The Irish Folklore Commission: International Scholarship, National Purpose, Local Virtue, " in Béaloideas, 2010

"Prince Twins Seven-Seven," African Arts, 2011-2012

"War, Peace, and the Folklorists' Mission," Journal of American Folklore, 2011-2014

"Historic Preservation, " in Historic Preservation in Indiana: Essays from the Field, 2012-2013

"Foreword," in A Measure of the Earth: The Cole Ware Collection of American Baskets, 2013

"The Irish Landscape, " Canadian Journal of Irish Studies, 2013-2015

"Preface: Mapping the World of Banjara Lambani Tradition," in Banjara Lambanis and Their Literature, 2013 .

"Architectural Vision in the Art of Winton and Rose Eugène," in Place It/Face It: Pottery by Eugène, 2018 

Photos Removed


Subseries: Reviews, Lectures, Reports, 1983-2015,  undated 

"Folk Art and Creativity," Washington Meeting on Folk Art, Library of Congress, 1983 

"The Convergence of Folklore Studies, Anthropology and Oral History," 1984 

"Ireland of the Proverb," Journal of American Folklore, 1989 

"Home-making: A Cross-Cultural Perspective on the Conversion of Space into Place," 1995 

"Folklore, the Future, and Funding: A Report to the Rockefeller Foundation," 1999 

"The Stars of Ballymenone: Stories, Songs and Instrumental Music from the North of Ireland," CD-ROM Proposal, 2000 

"Performance: Theory, History, Documentation," 2001 

"Clay and Cosmos," Abstract, undated 

"Cultural Landscapes," International Conference on Monuments and Sites, 2002 

"A Life of Learning," ACLS Charles Homer Haskins Award Lecture, 2011

"Recording Folklore," The International Folklore Conference, 2013-2015

"History as Action in Ulter," undated 

"Islamic Art in the Modern World: Instance of Turkish Ceramics," Abstract for Kuwait, undated 

"A Preface on Purpose," undated 

"Public Folklore (?)" undated 

Rough Proposal for Television Series, American Folklife, undated 

"Turkey’s Ceramic Miracle," undated 

"What is Art? A Folkloristic Perspective Across Cultures," undated 

Subseries: Collaborative Publications, 2010-2019,  undated

Glassie, Murphy and Peach, Olla Belle Reed and Southern Mountain Music on the Mason-Dixon Line, 2015 

Meeting Olla Belle Reed,

Typed and handwritten Manuscripts


"Blue Ridge Mountain Blues"

Handwritten Manuscript


"North"

Handwritten Manuscript


"Transition"

Handwritten Manuscript


Tracklists and Song Indexes

Glassie and Shukla, Sacred Art: Catholic Saints and Candomblé Gods in Modern Brazil, 2016-2017

Chapter Drafts, Handwritten and Typed, 2016

"An Introduction"

"The Historical Center"

"Modern Masters of the Sacred Art"

"The Sculptor's Story"

"Ibimirim Carvers in the Sertão"

"Maragojipinho: Sacred Clay in Bahia"

"Tracunhaém: Sacred Clay in Pernambuco"

"Painting in Olinda"

"Carving in Cachoeira"

"Pelourinho" Box 11

"Saints and Orixás in Pelourinho"

"Smiths of the Sacred"

"The Painter of Orixás"

Typed Manuscripts, undated

(4 folders)


Endnotes Drafts, undated

Handwritten


Page Proofs with Edits, 1968-2019

(14 folders)


Cover Design, undated

Acknowledgement and Dedication Edits, undated

Images and Image Notes, 2017

Notes and Bibliography Proofs with Edits, 2017

Color Book Proof, 2017

(2 Folders)


Book Description and Reader Report, 2017 

Woods and Glassie, Borderlines, 2018

Typed Manuscript, undated

Manuscript Edits and Correspondence, 2018

"The Concept of Place" Chapter Draft, undated

Typed and Handwritten


Correspondence, 2017-2018

Glassie, Handwritten Drafts, undated

Ben-Amos and Glassie, ed., Folklore Concepts: Histories and Critiques, undated Box 12

Drafts, undated

Handwritten


Chapter Drafts, undated

Glassie, "The Project"

"The Countours of the Book"

Ben-Amos, "Foreword"

"The Idea of Folklore: An Essay"

"The Encounter with Native Americans and the Emergence of Folklore"

"Toward a Definition of Folklore in Context"

"Analytical Categories and Ethnic Genres"

"The Seven Strands of Tradition: Varieties in Its Meaning in American Folklore Studies"

"A History of Folklore Studies - Why Do We Need It?"

"'Context' in Context"

"Two Benin Storytellers"

"'Induced Natural Context' in Context"

"The Name Is the Thing"

"A Definition of Folklore: A Personal Narrative"

Bibliography

Series: Lecture Notes, 1975-1999,  undated 

A Cultural Setting for Houses in Bloomington, Bloomington Restoration Talk, 1989  Box 12

Ohio Valley: Always a River, 1991 

Folkloristic Study of Material Culture, undated 

American Dream, undated 

Conflict of Public and Private Opinion in Northern Ireland, undated 

Turkish Art, San Antonio Talk, undated 

F. Kniffen talk, undated 

Thoughts on Folkloristic Ethnography, undated 

Folklore in the Academy, ca. 1990 

Estyn Evans, 1989 

Artifact: Nature and Will, undated 

Keynote Address for Virginia, undated 

Culture, Folklore, Education, undated 

Exploration, Speech for Wisconsin, 1992 

Talk for Public Section, American Folklore Society, undated 

Convergence of Folklore Studies, Anthology, and Oral History, undated 

Folklore and Technology, 1994 

Brown Talk for Geoff Moran, undated 

Log Cabin Southern Houses, 1975 

Craft Talk, undated 

Philosophy of Planning, undated 

Oral History, undated 

American Landscape, undated 

Preservation, undated 

Plymouth House, undated 

Houses as History, undated 

Planning and Building the Ghost of a Home, undated 

The Interpretation of Architecture as a Historic Source, undated 

Unidentified Talk, undated 

Folklore and Literature (Theories), undated 

Braunton for the City, undated 

Braunton, undated 

Folklore and History, undated 

Power of Land in Literature, undated 

Oral History, undated 

Ohio Valley, undated 

Log Cabin as Symbol, undated 

Talk for Charlottesville, undated 

Landscapes as History, undated 

Landscape and Houses, undated 

Myth as a Way of Knowing, 1986 

A Folklorist’s Work, undated 

TAG Talk, undated 

Decorative Arts, undated 

Country Life, Louisiana, undated 

American Revolution, undated 

Science, History, Meaning, undated 

Barbarism, undated 

Indiana University- Rotary Club, undated 

Interdisciplinary Research, Indiana State University, 1994 

Victoria and Albert Museum, 1986 

Tom Ehrlich, University of Pennsylvania, undated 

Public Education Talk, undated 

On History, undated 

Boston Talk, American Studies, undated 

Humanities, Art, History, undated 

Sociology for Historical Archaeology, undated 

Philanthropy and the Arts, Indianapolis, 1994 

What Is Folk Art, Louisiana, undated 

Folk Art, Yale1990 

Nature of Folk Art, Oregon, undated 

Kodaikanal, Art and Craft, 1999 

All Art is a Collaboration, undated 

Whitney Museum, 1986 

Folk Art, undated 

Collecting Folk Art, Metropolitan, undated 

Folk Art, Dallas, undated 

Folk Art, Georgia, 1994 

Folk Art: Notes for Pennsbury, undated 

American Folk Art, undated 

Celebrations: Modernity in Folk Art, undated 

American Folk Art, Smithsonian, 1990 

The Context of Southern Folk Art, undated 

Architecture, undated 

Social History in Landscape, undated 

National Trust, undated 

Frontier Architecture, undated 

Architecture, undated 

Log Cabins, Society of Architecture Historians, undated 

Architectural Evidence of the Frontier as Class Phenomenon, undated 

The American Character of Folk Things, 1977 

Vernacular Architecture, Indiana Talk, undated 

Farm Architecture, undated 

Ohio Valley Landscape, 1988 

History Making Landscape, undated 

American Houses, undated 

Vernacular Architecture, undated 

Architecture, Delaware, undated 

Vernacular Architecture, undated 

Vernacular Architecture, 1981 

Art and Architecture, undated 

Historic Preservation, undated  

(3 folders)


Folklore Studies, undated 

Collecting, 1995 

Kütahya and Acoma, American Folklore Society talk, 1992 

Learning from Things: Materials as Meanings, undated 

Folklore as a Means of Exploring Relations of Industrial Society and Culture, University of North Carolina, Charlotte, undated 

God as Guest, undated 

Folklore vs. Anthropology, Washington Anthropological Society, undated 

Future Directions for American Folklore, Indiana Talk, undated 

Folklore and American Studies, undated 

Bangladesh Pottery talk, American Folklore Society, undated 

American Folklore society, 1980 

Architecture Talk, American Folklore Society, undated 

American Folk Art, American Folklore Society talk, 1987 

Folk Literature, undated 

Fieldwork, undated 

Ethnography, University of Pennsylvania, undated 

Folklife, undated 

Tradition, undated 

Folklore and Tradition, New York talk, undated 

Ceili Club Irish talk, undated 

Ireland, undated 

Sense of Place, Ballymenone, undated 

Folk Architecture and Social Revolution (Ireland), undated 

Irish Landscape, undated 

Qualitative Methods (Ballymenone), undated 

Evans lecture, Ireland, undated 

Idea of Place, Ireland, undated 

Ballymenone talk, undated 

Irish talk, undated 

Muslim Communities, undated 

Turkish Art, 1995 

Turkish Arts, Speech at Opening in Bloomington, undated 

Turkish Folk Art, undated 

Textile Arts of Turkey, undated 

Sacred Space talk, undated 

Turkish Talk, 1987 

Turkish Carpets, 1990 

Turkish Talk, Illinois, undated 

Turkish Art, undated 

Turkish Language Talk, undated 

Turkish Art, Indiana University, undated 

Turkish Pottery, undated 

Rugs – Karagömleh, undated 

Outstanding Achievement in the Arts, Assembly of Turkish American Associations, 1995 

Box 13 OVERSIZED

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