- Title:
- The Magnificent Ambersons
- Author:
- Tarkington, Booth, 1869-1946
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TARKINGTON, NEWTON BOOTH: 1869-1946.
Of all writers Booth Tarkington most nearly interpreted the American scene from the beginning of this century through the Twenties as the average American saw it.
Tarkington's interest lay in the people whom he and most other Americans knew well. He was at his best on North Meridian Street (his "National Avenue") in Indianapolis, or with the people who had prospered to a chill eminence above that thoroughfare, or, as in the case of the family of Alice Adams, had slipped below it. He did well, too, on the streets neighboring to Meridian and progressively less impressive, and he knew what went on in the residential streets which fed the ebony glitter of the colored folks' main-stem, Indiana Avenue.
Mostly, though, he knew the Indiana middle class and he put them down, in his notably careful and beautiful script, for future generations and for the world at large to meet. They were by no means all nice people; there was always the leavening of Alice Adams' bootlegging brother, the nastiness of some of the Magnificent Ambersons, but the proportion of good, near-good, wishfully-good and pure bad was about right. There was neither the high romance of George Barr McCutcheon nor the grimy realism of Theodore Dreiser: Tarkington's people lived.
Every town in American had its Magnificent Ambersons, and a doting Adams mother and a frustrated Adams daughter kept up a pretense of gentility in most American towns and cities. Penrod was easily recognizable to any citizen who was a boy in Penrod's day, and to most parents of any age, there were half a dozen prototypes of The Gentleman from Indiana. There have been Willie Baxters ever since boys began to reach the shaving age, and Willies will always be with us as long as civilization maintains.
Tarkington, to average citizens, was not only a great Indiana author, but to many he will always be the great Indiana author, regardless of the manifestos which critics may issue on the literary virtues of Dreiser and the others.
Newton Booth Tarkington was born in Indianapolis on July 29, 1869, into the very sort of background he wrote of best–comfortably prosperous middle class. His father was Judge John Stevenson Tarkington and his mother was Elizabeth Booth Tarkington. They named the baby for a distinguished uncle, Newton Booth, early governor of California.
Tarkington was sent to Phillips Exeter Academy for his college preparation and, upon graduation, he entered Purdue University. In spite of the genial companionship of George Ade and John T. McCutcheon, he transferred to Princeton after two years but left without a degree. He was active in Princeton literary and dramatic affairs. He also stood well in his classes, although he later said, "No doubt I imbibed some education there, though it seems to me that I tried to avoid that as much as possible." It was no matter–he was to receive academic honors enough in later life.
His first ambition was to become an illustrator: he made the old LIFE with a drawing in 1895 and then received thirty-one consecutive rejections. Thereafter he stuck to writing but with little more immediate encouragement. Finally a publishing house bought Cherry–and put it away among its other presumed errors in judgment–but the purchase price was paid. It was $2.50, and that sum, according to Tarkington, was the gross return from five years of writing. Publishing it after the establishment of Tarkington's fame, the buyer realized a handsome profit, even including storage charges.
Success was coming, however, and it was not far away. Having had no luck with short stories (even Monsieur Beaucaire had made the rounds and collected its share of rejection slips), he decided to try a novel. He laid it in Indiana, he peopled it with Indianians whom he knew, and The Gentleman from Indiana resulted. It was an immediate best-seller, and it remained near the top of the list for an amazing length of time.
Monsieur Beaucaire and other previously rejected manuscripts came out of Tarkington's desk drawer and were viewed in a different light by publishers. The young man leaped from a $1000 or so annual income (received from the rentals he had bought with his Uncle Newton Booth's bequest) to a total of $27,000 in 1900. In 1919 he was awarded the Pulitzer Prize for literature for The Magnificent Ambersons; he won it again with Alice Adams in 1922, and later the American Institute of Arts and Letters awarded him its medal for distinguished fiction.
Tarkington was always one to enjoy his living–at Purdue and at Princeton and, after he became a notable literary figure, in the spots in North America and Europe most likely to furnish entertainment. Between times, though, he returned to Indianapolis, even from the beloved summer home of his later years in Kennebunkport, Me. In his gaudy younger days, in his mellow and intelligently socially-conscious middle life and in his contented old age he was a Hoosier.
Tarkington did not always write great books, but he always wrote good ones. Writing, for him, was a very serious business–fifteen and sixteen hour stretches in his study with his meals sent in. Probably, as time goes on, it will be realized increasingly that the best of his efforts are important social documents, that the lightest of them have a Mark Twain quality of surviving freshness and that they are all good entertainment.
Tarkington was happy in his choice of male associates throughout his life. The friendship of Ade, the McCutcheons, Harry Leon Wilson, Julian Street, and all the others could make any life an enjoyable one. With women, however, he was less at home. He had the reputation at Princeton of being something of a wallflower in mixed company; perhaps those occasions furnished documentary material for the agonies of Willie Baxter and Ramsey Milholland.
His first wife was Laurel Louisa Fletcher, daughter of a highly successful Indianapolis banking family of whom recognizable portraits appear in Tarkington's writing. Their divorce was followed shortly and tragically by the death of their one daughter of pneumonia. His second wife, Susannah Robinson of Dayton, O., whom he married on Nov. 6, 1912, survived him. She was always interested in his writing and aided him in its continuance and development.
Tarkington's later years were plagued by ill health: by a heart ailment which brought orders to slow down and by an eye trouble which brought about almost complete blindness (although he made every effort to conceal the fact). In spite of the suffering from these disabilities, and even more from the inactivity they enforced, he kept up his interest in the affairs of the world. He maintained until the last an urbane and only slightly detached attitude toward the life to which he had contributed so much.
Booth Tarkington died at his Indianapolis home, 4270 North Meridian Street, on May 19, 1946.
Information from friends of Tarkington; newspapers and miscellaneous sources.
- The Gentleman from Indiana. Garden City. N. Y., 1899.
Search "The Gentleman from Indiana" by TARKINGTON, NEWTON BOOTH: 1869-1946. in:
Close X - Monsieur Beaucaire. Garden City, N. Y., 1900.
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Close X - The Two Vanrevels. Garden City, N.
Y., 1902.
Search "The Two Vanrevels" by TARKINGTON, NEWTON BOOTH: 1869-1946. in:
Close X - Cherry. New York, 1903.
Search "Cherry" by TARKINGTON, NEWTON BOOTH: 1869-1946. in:
Close X - In the Arena: Stories of Political Life. Garden City, N. Y., 1905.
Search "In the Arena: Stories of Political Life" by TARKINGTON, NEWTON BOOTH: 1869-1946. in:
Close X - The Conquest o{ Canaan. New
York, 1905.
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Close X - The Beauti{ul Lady. Garden City, N.
Y., 1905.
Search "The Beauti{ul Lady" by TARKINGTON, NEWTON BOOTH: 1869-1946. in:
Close X - The Guardian (withHarry Leon Wilson). New York, 1907.
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Close X - His Own People. Garden City. N.
Y., 1907.
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Close X - The Man from Home (withHarry Leon Wilson). New York, 1908.
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Close X - The Guest o{ Quesnay. Garden City, N.
Y., 1908.
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Close X - Beasley's Christmas Party. New
York, 1909.
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Close X - Beauty and the Jacobin: an Interlude o{ the French
Revolution. New York, 1912.
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Close X - The Flirt. Garden City, N. Y.,
1913.
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Close X - Penrod. Garden City, N. Y., 1914.
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Close X - Harlequin and Columbine. New
York, 1914.
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Close X - The Turmoil; a Novel. New York,
1915.
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Close X - Penrod and Sam. Garden City, N. Y., 1916.
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Close X - Seventeen; a Tale oi: Youth and Summer Time and the Baxter
Family, Especially William. New York, 1916.
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Close X - The Country Cousin. A Comedy (withJulian Street). New York, 1916.
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Close X - The Magnificent Ambersons. Garden City, N. Y., 1918.
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Close X - Ramsey Milholland. Garden City, N.
Y., 1919.
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Close X - The Gibson Upright (withHarry Leon Wilson). New York, 1919.
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Close X - Intimate Strangers; a Comedy in 3 Acts. New
York, 1921.
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Close X - Clarence; a Comedy in 4 Acts. New
York, 1921.
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Close X - Alice Adams. Garden City, N. Y.,
1921.
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Close X - The Wren; a Comedy in Three Acts. New
York, 1922.
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Close X - Gentle Julia. New York, 1922.
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Close X - The Fascinating Stranger, and Other Stories.
New York, 1922.
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Close X - Ghost Story; a One Act Play.
Cincinnati, 1922.
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Close X - The Trysting Place; a Farce in One Act.
Cincinnati, 1923.
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Close X - The Collector's Whatnot (withK. L. Roberts and H. M. Kahler). Boston, 1923.
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Close X - Tweedles; a Comedy (withHarry Leon Wilson). New York, 1924.
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Close X - The Midlander. Garden City, N.
Y., 1924.
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Close X - Women. Garden City, N. Y., 1925.
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Close X - Looking Forward, and Others. Garden City,
N. Y., 1926.
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Close X - Bimbo, the Pirate; a Comedy. New
York, 1926.
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Close X - Selections from [His] Stories, Arranged by Lilian Holmes
Strack. Boston, 1926.
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Close X - Station YYYY. New York, 1927.
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Close X - The Travelers. New York, 1927.
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Close X - Dolling, a Story from Women. Garden City,
N. Y., 1927.
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Close X - The Plutocrat; a Novel. Garden Uity, N.
Y., 1927.
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Close X - Growth. Garden City, N. Y.,
1927. (A combination of The Magnificent
Ambersons, The Turmoil, and The Midlander.)
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Close X - The World Does Move. Garden City, N.
Y., 1928.
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Close X - Claire Ambler. Garden City, N.
Y., 1928.
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Close X - Young Mrs. Greeley. Garden City, N.
Y., 1929.
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Close X - Penrod Jashber. Garden City, N.
Y., 1929.
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Close X - Mirth{ul Haven. Garden City, N.
Y., 1930.
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Close X - How's Your Health? A Comedy in Three Acts (withHarry Leon Wilson). New York, 1930.
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Close X - The Complete Penrod. Garden City, N.
Y., 1931. (Combining the three Penrod
books.)
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Close X - Wanton Mally. Garden City, N.
Y., 1932.
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Close X - Mary's Neck. Garden City, N.
Y., 1932.
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Close X - The Works o{ Booth Tarkington. Garden City,
N. Y., 1922-32.
27 vols.
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Close X - Presenting Lily Mars. Garden City, N.
Y., 1933.
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Close X - Little Orvie. Garden City, N.
Y., 1934.
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Close X - Help Each Other Club. New York,
1934.
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Close X - Mr. White, the Red Barn, Hell and Bridewater.
Garden City, N. Y., 1935.
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Close X - Mr. Antonio: a Play in Four Acts. New
York, 1935.
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Close X - The Lorenzo Bunch. Garden City, N.
Y., 1936.
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Close X - Rumbin Galleries. Garden City, N.
Y., 1937.
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Close X - Some Old Portraits; a Book About Art and Human
Beings. Garden City, N. Y., 1939.
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Close X - The Heritage of Hatcher Ide. Garden City,
N. Y., 1941.
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Close X - The Fighting Littles. Garden City, N.
Y., 1941.
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Close X - Kate Fennigate. Garden City, N.
Y., 1943.
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Close X - Image o{ Josephine. Garden City, N.
Y., 1945.
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Close X - The Show Piece: with an Introduction by Susannah
Tarkington. Garden City, N. Y., 1947.
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Close X
- The Gentleman from Indiana. Garden City. N. Y., 1899.
- Publication Year:
- 1918
- Source:
- Garden City New York: Doubleday, Page & Company, 1918.
- Bookmark:
- https://purl.dlib.indiana.edu/iudl/inauthors/VAA2385
THE MAGNIFICENT AMBERSONS
page: [ii][View Page [ii]]Switch to Image ModeCLOSE Page [ii]BY THE SAME AUTHOR
BEASLEY'S CHRISTMAS PARTY
THE BEAUTIFUL LADY
BEAUTY AND THE JACOBIN
CHERRY
CONQUEST OF CANAAN
THE FLIRT
THE GENTLEMAN FROM INDIANA
THE GUEST OF QUESNAY
HARLEQUIN AND
COLUMBINE
HIS OWN PEOPLE
IN THE ARENA
THE MAN FROM HOME
MONSIEUR BEAUCAIRE
PENROD
PENROD AND SAM
SEVENTEEN
THE
TURMOIL
THE TWO VANREVELS
THE MAGNIFICENT
AMBERSONS
BYBOOTH TARKINGTON
ILLUSTRATEDBY
ARTHUR WILLIAM BROWN
GARDEN CITY NEW YORK DOUBLEDAY, PAGE & COMPANY 1918
Copyright, 1918, by
DOUBLEDAY, PAGE & COMPANY
All rights reserved, including that of
translation into
foreign languages,
including the Scandinavian
COPYRIGHT, 1917, 1918, BY THE METROPOLITAN MAGAZINE COMPANY
page: [v][View Page [v]]Switch to Image ModeCLOSE Page [v]To
SUSANAH
LIST OF ILLUSTRATIONS
- "'It's good-byeI think it's good-bye
for good,
Lucy!'" (See page 378) Frontispiece - "George rose, abruptly, his face the colour of
wrath" 144 - "'For Heaven's sake!' George said,
'What's
the matter? Isn't everything all right?'" 160 - "'My father,' he said weakly, 'she
saysshe
says he's dead!'" 208 - "'Ohh, no!' It was a cry of
protest, as if
something her brother told her must
be untrue" 336 - "'Do you suppose I dreamed
you'd go making
everything into such a tragedy? Do
you?'" 344 - "'Oh, she's cheerful enough,' said
Amberson,
still not looking at either his young
hostess or her father" 400 - "'You'll forgive me for saying that there
have
been times when I thought you ought
to be hanged'" 432
